Partituras para directores de coro

Eleanor Daley sets the text from Corinthians, 'Love is patient, Love is kind' as a descant above a repeated, polyphonic, and homophonic SATB chant of the Latin text Ubi caritas et amor Deus ibi est. T...

For SATB unaccompanied - DiOrio sets a biblical text appropriate for Holy Week and Easter in a fresh, flowing harmonic style. This piece works well in concert settings and in church services.

A very exciting and dramatic arrangement of a traditional early American folk hymn made up of contrasting sections of homophonic textures and a soprano melody against a rhythmic background.

Out of the depths is a reflective, homophonic, and beautifully written work. The choral parts are very accessible, yet the resulting sound is rather sophisticated and thoughtful. This setting of Psalm...

For SATB unaccompanied - Debra Scroggins' setting of a poem by William Blake is both stunning and gentle. The tight harmonies offer a lush and flowing soundscape that conveys warmth and tenderness per...

For SATB with optional solo, unaccompanied. This is a sonorous and dramatic arrangement. It opens with an optional solo that may be sung by the sopranos, and, towards the end, the rest of the choir si...

This is a moving arrangement of the familiar passage from the Book of John. Larsen takes an original melody and arranges beautiful harmonies underneath with delicate suspensions. This is a rewarding a...

All are bound to get caught up in the energy and fervour of this new setting of the spiritual Ride On, King Jesus. Wertsch uses the full range of dynamics and so adds intensity and variety to the vers...

SSAATTBB unaccompanied In 1854 Pearsall arranged his madrigal Lay a garland to the text Tu es Petrus. Richard Shephard has taken up this idea and skilfully adapted Pearsall's fine eight-part piece Gre...

This setting of the Nunc Dimittis was written for Westminster Cathedral and first performed at Compline on Easter Day 1916. In concerts it could be contrasted with the Latin settings by Howells and Ho...

Written in 1844 in thanksgiving for the preservation of the life of the Prussian King Friedrich Wilhelm after an unsuccessful assassination attempt, this is the original a cappella version of the well...

For SATB unaccompanied. This makes a very useful addition to the repertory for Ascension Day - either as an introit or as an anthem. The text is from the Collect for the Sunday after Ascension.

This new edition of the classic 'Tudor Responses' volume that first appeared in 1933 preserves the editions by Watkins Shaw that were published in 1966, though without Shaw's adaptations for the 1662...

SATTBB unaccompanied Gombert's In illo tempore: loquente Jesu is a six-part unaccompanied study in intricate part-writing, with sinuous stepwise motion and persistent imitative entries. The optimism o...

SATB unaccompanied. In this short, strophic, and effective introit Helvey has taken a children's folk melody and arranged and adapted it to fit the text of Mary Louise Bringle's poem. The result is a...

Aurelio Porfiri, nacido en 1968, es un compositor, director de orquesta, organista y autor italiano. Fue organista adjunto del Vicariato de la Ciudad del Vaticano en la Basílica de San Pedro, así como...

Este ciclo completo se basa íntegramente en los Maitines del Jueves Santo según el rito romano. Está destinado a la interpretación en concierto, pero también es adecuado para uso litúrgico (o paralitú...

Escribí esta obra en 1995 para el coro de adultos de la escolanía de Notre-Dame. Se estrenó en la catedral bajo la dirección de mi gran amigo Denis Rouger. El texto de este motete procede de los dos ú...

Para un bretón católico como Jean Cras, escribir una misa era algo natural. La elección de este "género tan especial", una misa a capella, fue el resultado de sus particulares esfuerzos técnicos y est...