Música de cine

Die 'Schwabenkinder'-Messe entstand aus Materialien der Filmmusik zu Jo Baiers Film 'Die Schwabenkinder': Kyrie, Sanctus, Benedictus und Agnus Dei sind bereits im Herbst 2002 für diesen kreuzwegartige...

Patsy Ford Simms brings us another exquisite original African style work that carries a wonderful message, a memorable melody and lots of African percussion. This is a must have!

Mit Meghan Trainors Hit aus 'The Peanuts Movie' kommt auch Ihr Chor so richtig in Fahrt!

We Have All the Time in the World is the classic James Bond theme featuring the warm, graceful vocals of Louis Armstrong. Beloved for its sophosticated, smooth sound, the track - written by John Barry...

Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey, written by Don Black and set to music by John Barry....

Master arranger Kirby Shaw adds his signature treatment of this smash hit from the motion picture Pitch Perfect. A great show piece available in all three voicings, you can feature a male or female qu...

The recent live action remake of the Disney film Pete's Dragon introduced a new generation to this wonderful story and song. This setting features legato vocal lines that build into an expansive conce...

Nominated for both an Academy Award and a Golden Globe for best original song, this jazzy song from the Walt Disney movie and the Broadway play, Aladdinbrought down the house as the closer to the firs...

Deke Sharon pioneered the direction of the modern pop a cappella sound. Throughout his humble beginnings with the House Jacks to his work on Pitch Perfect, The Sing-Off and In Transit, this mashup of...

Available: SATB, SAB, SSA.

The film version of the Broadway smash hit Dear Evan Hansen included some new songs written specifically for the screen. Undeniably true to Pasek & Paul's compositional style, the text is prescient an...

The film version of the Broadway smash hit Dear Evan Hansen included some new songs written specifically for the screen. Undeniably true to Pasek & Paul's compositional style, the text is prescient an...