Música espiritual y eclesiástica

Según Otto Ursprung, Cantus missae es "la música vocal más bella y pura del siglo XIX". Se trata de la única misa de Rheinberger escrita para doble coro. Obtiene su carácter especial mediante el uso d...

Als 'Offertorium in stilo a cappella', trug Haydn die Motette Non nobis Domine in sein Werkverzeichnis ein. Der strenge kontrapunktische Stil, wie ihn Haydn als Sängerknabe zu St. Stephan kennen geler...

Reger's unaccompanied setting Maria, Himmelsfreud (WoO VI/12) was probably composed at the end of 1899 to a commission from the Regensburg Cathedral music director Franz Xaver Engelhart for the collec...

Reger's unaccompanied setting Maria, Himmelsfreud (WoO VI/12) was probably composed at the end of 1899 to a commission from the Regensburg Cathedral music director Franz Xaver Engelhart for the collec...

Reger composed Palmsonntagmorgen (WoO VI/18) at the beginning of 1902 at the request of the Chemnitz organist and choral director Georg Stolz. Stolz may also have suggested the text by Emanuel Geibel....

Reger composed Palmsonntagmorgen (WoO VI/18) at the beginning of 1902 at the request of the Chemnitz organist and choral director Georg Stolz. Stolz may also have suggested the text by Emanuel Geibel....

Bibelstelle: Ps 147,1-3

60 Motetten und Choralsätze für gemischten Chor (meist Coro SATB) a cappella

Heinrich Kaminski's first work, Psalm 130, op. 1a, is one of his most popular compositions. Kaminski began his compositional career late, only after he studied economics in Heidelberg. He was professo...

Heinrich Kaminski's first work, Psalm 130, op. 1a, is one of his most popular compositions. Kaminski began his compositional career late, only after he studied economics in Heidelberg. He was professo...