Música espiritual y eclesiástica

Lleno de armonías lujosas y expresivas, este octavo sin acompañamiento inspirado en las Escrituras nos lleva de susurros silenciosos a poderosas aclamaciones de adoración y alabanza. Explore con la pa...

Creado con frases rítmicas, métrica mixta y un texto sencillo, este coral es una excelente pieza de enseñanza e interpretación a capella. La repetición y el uso de palmas ayudan en el aprendizaje y la...

A motet for eight-part unaccompanied choir setting a poem by Henry Vaughan and edited by Imogen Holst.

The material in Missa Brevis is drawn from the sixth of William Blitheman's varients on the plainsong Gloria Tibi Trinitas, which is to be found in the Mulliner Book. This piece appears in its origina...

A new edition of Mendelssohn's most outstanding unaccompanied choral repertoire, including Kyrie eleison, Heilig, Jauchzet dem Hern alle Welt and Frohlocket, ihr Völker auf Erden.

With a rich combination of musical influences from Portugal and Spain, Lisbon stood at a cultural crossroads in the 17th Century. The diversity of this cosmopolitan centre is captured here in a superb...

'Missa O Rex gloriae', edited by David Trendell, is an exquisite and previously unpublished setting of the mass by the Spanish composer Alonso Lobo (1555-1617).

'Adoro te' is a hauntingly atmospheric setting of text by Thomas Aquinas, which has been translated into English by Bishop James Woodford. It's beautiful simplicity and relative brevity makes it an id...

SATB Unaccompanied For centuries, composers have been inspired by the beautiful 'O magnum mysterium' text depicting the birth of the new-born King among the lowly animals and shepherds. This setting f...

The sixteenth century was a time of religious upheaval in England. From Henry VIII's protestant reformation through Queen Mary's staunch but short-lived Catholic revival to the return of Anglicanism i...

Remember, O Lord was written to mark the Fiftieth Anniversary of the Coronation of Her Majesty Queen Elizabeth II. Harvey's dark and sonorous tone creates an intense and majestic atmosphere. This piec...

The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and incl...

Composed in 1997, Lauridsen's 'Ave Maria' is a texturally rich, eight-part setting of the most loved of Marian antiphons. This treatment recalls the sumptious polychoral music of Gabrieli as well as t...

The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of contemporary composers an...

It is conceived in grand and declamatory style, owing a respectful debt to the great motets of Bruckner. Formed in A-B-A structure, it uses block harmony in the outer sections for impact, whilst the c...

Zadok Rules---Hallelujah! was commissioned by The Hanover Band Foundation to celebrate the 60th anniversary of the Coronation of Queen Elizabeth II, June 2013. Inspired by the works of G. F. Handel, t...

Commissioned by the Tallis Scholars, The Lamentations of Jeremiah is a prime example of Martin's exemplary choral writing. Combining complex harmonies and intricate, antiphonal rhythms Martin has crea...

Commissioned by the Musicians Benevolent Fund in the name of Sir Thomas Armstrong this work was first performed at Westminster Cathedral on 24 November 1999 by the Choirs of Westminster & St Paul's Ca...

This reflective anthem is especially suitable for the Feast of All Saints but may be used throughout the liturgical year. The setting is still, gentle and atmospheric, combining a simple melody with m...

The Mass Of St Dominic was written in 2013 at the request of the Spode Music week for the 60th anniversary of their summer course. It is a setting in English of the new translation of the Mass and is...

When David Heard was written as a memorial to the victims of the 2011 terrorist attacks in Oslo and Utoya. It sets the well-known and intense passage from 2 Samuel and intersperses it with a verse fro...

Romance of the Epiphany . Scored for mixed voices, this vibrant carol may be accompanied either by organ or piano and double bass. Goodall sets joyful Spanish words by Jose de Valdivielso to a wonderf...

This powerful work takes a well-known hymn tune from the Mainz Gesangbuch of 1661 (Stabat Mater) as its musical starting point, interweaving it through different textures and variations alongside the...

This piece is a reticent carol and weaves a complex web of counterpoint within both the vocal lines and organ part, distilling into a stark treble solo as the text turns to English. An ideal work to h...

This setting of 'O lux beata Trinitas' (ascribed to St Ambrose) weaves together a range of vocal styles and textures to build gradually from the quietly pensive opening section to a rousing unison dec...