Música espiritual y eclesiástica

Michael Head's lovely setting of Psalm 121 (originally for solo voice) is here arranged by Antonin Tucapsky for mixed voice choir with organ or piano. Duration: 3 minutes

Michael Head's lovely setting of Psalm 100 (originally for solo voice) is here arranged by Antonin Tucapsky for mixed voice choir with organ or piano. Duration: 3 minutes

An exciting setting of texts from Psalms 101 and 104 and Exodus 15, this Festival Jubilate by Antony le Fleming is scored for double SATB choir and orchestra though this vocal score shows a reduction...

by Flor Peeters

by Flor Peeters

Cry Out And Shout, published by the renowned Alfred Publishing, is an uplifting and expressive choral piece that will inspire singers and audiences alike. Expertly arranged for mixed choir, this compo...

Bring powerful choral sound and pure musical joy to the stage with "Cry Out and Shout", published by the renowned Alfred Publishing. This stirring piece for mixed choir captivates both singers and aud...

Immerse yourself in the evocative world of sacred choral music with the inspiring 'Messe Brève No. 7 (aux Chapelles)'. This moving work combines devotional depth with melodic elegance, making it an id...

El siempre popular "Ave María" de Gounod arreglado aquí para soprano solista, coro y teclado por Mark Armstrong.

gemischter Chor (SAAT/ATBB/ATTB/STTB)

gemischter Chor (SAAT/ATBB/ATTB/STTB)

Schaffe in mir, Gott, ein reines Herz – this moving motet based on the comforting verses of Psalm 51 (12–14) touches the heart and soul in equal measure. Unfolding a profound spiritual resonance, this...

Motetus II ist - wie Motetus I (SKR 20028) - ein räumlich konzipiertes Stück für zwei Chorgruppen. Im Gegensatz zum hymnischen Motetus I ist Motetus II jedoch ein Klagegesang, in den das 'De profundis...

Psalm 112 known from Mendelssohn's musical setting is interpreted by Dieter Schnebel as a song of pilgrimage: Pilgrims setting out on a dangerous path hope for a happy return. Following the text that...

The text of this 'small sound piece' combines material from Petrarch's well-known Sonnet No. 132 and its Baroque adaptation by Martin Opitz, alternating between - and sometimes mixing - Italian and Ge...