Alfred Publishing

A thoughtful song of parting, benediction-like, in the style of an Irish blessing. Basic choral writing throughout with much opportunity for rubato phrasing. Moderate ranges in all voice parts in both...

A new, original Christmas spiritual by Jay Althouse in the traditionof his top-selling Whisper!, Whisper!, I saw a Star, and Star of Glory. This full-sounding work features much three-part singing ove...

A new, original Christmas spiritual by Jay Althouse in the traditionof his top-selling Whisper!, Whisper!, I saw a Star, and Star of Glory. This full-sounding work features much three-part singing ove...

Masterful a capella arrangement of a haunting Quaker hymn. It's lush, with divisi in all parts. An outstanding festival/contest selection - powerful text.

Masterful a capella arrangement of a haunting Quaker hymn. It's lush, with divisi in all parts. An outstanding festival/contest selection - powerful text.

Morley's famous madrigal is arranged perfectly for 3-part mixed voices. Excellent for developing choirs and small vocal ensembles. Limited range male part.

Morley's famous madrigal is arranged perfectly for 3-part mixed voices. Excellent for developing choirs and small vocal ensembles. Limited range male part.

New for TTBB! One of the best in a long line of exuberant, original, a cappella Christmas spirituals by Jay Althouse. It opens with an energetic melody sung by the low voice with the upper three voice...

New for TTBB! One of the best in a long line of exuberant, original, a cappella Christmas spirituals by Jay Althouse. It opens with an energetic melody sung by the low voice with the upper three voice...

An original, newly composed madrigal written for developing SAB and SSA choirs. Great for any choir of any size learning to sing in the madrigal style. The unique text, written in 1912 by William Jero...

An original, newly composed madrigal written for developing SAB and SSA choirs. Great for any choir of any size learning to sing in the madrigal style. The unique text, written in 1912 by William Jero...

The energy of this piece is derived from the layering effect of vocal lines and handclaps. The interweaving of voice parts makes for joyous part singing.

The energy of this piece is derived from the layering effect of vocal lines and handclaps. The interweaving of voice parts makes for joyous part singing.

The energy of this piece is derived from the layering effect of vocal lines and handclaps. The interweaving of voice parts makes for joyous part singing.

Lots of fun for choir and congregation alike! A light swing style re-invigorates the refrain of this traditional spiritual, alternating with lyric verses set in rich 4-part harmonies. Layered voices a...

Much repetition and a catchy makes this 7/8 number deceptively easy to learn. Opens with eight measures in 7/8, then a smooth, homophonic andante section in 4/4, followed by a repeat of the opening 7/...

Much repetition and a catchy makes this 7/8 number deceptively easy to learn. Opens with eight measures in 7/8, then a smooth, homophonic andante section in 4/4, followed by a repeat of the opening 7/...

Feature your men with this sumptuous edition of an a cappella standard from the madrigal repertoire by Thomas Morley. Formerly available for 3-part mixed voices, Russell Robinson's new TBB adaptation...

Feature your men with this sumptuous edition of an a cappella standard from the madrigal repertoire by Thomas Morley. Formerly available for 3-part mixed voices, Russell Robinson's new TBB adaptation...

A finely crafted edition of the classic English madrigal. The editing and easy-to-read open score are right on target for today's choirs. Fluid contrapuntal sections contrast with full sounding homoph...

Straightforward, homophonic vocal writing is the highlight of this fullsounding yet simple Christmas work. It's in the style of a madrigal, and may be performed with or without piano.

Straightforward, homophonic vocal writing is the highlight of this fullsounding yet simple Christmas work. It's in the style of a madrigal, and may be performed with or without piano.

This may be the most exciting Christmas sprirtual Jay Althouse has ever written. It opens with the basses asking, in a hushed, rhythmic melody, 'Who's that baby in a manger bed?' The text is classic s...

Mark Hayes' newest spirital arrangement is in the classic, time-honored choral style, with full, a cappella scoring throughout. Powerful sectional writing often contrasts the men with the women, and s...

Mark Hayes' newest spirital arrangement is in the classic, time-honored choral style, with full, a cappella scoring throughout. Powerful sectional writing often contrasts the men with the women, and s...