Alry Publications

for Flute and Harp. Originally from sonatas in which the keyboard instrument was the leading voice with the flute or violin playing an accompanying role, this arrangement shares the melodic material e...

for Flute and Harp. A collection of Celtic jewels for weddings and other occasions of celebration, these arrangements work well on either lever or pedal harp. From the RoseWynde Flute and Harp Duo. Se...

Italian composer Giancarlo Locatelli delivers us a simple melody with a basic pedal (or lever) harp accompaniment. Suitable perhaps for young flute and harp students to perform together. The accompani...

Summer Suite (Summer Morning; Summer Afternoon; Summer Evening) captures the many characteristics of a relaxing summer day. Summer Suite is intended as a fairly simple piece, especially appropriate fo...

for 1 or 2 Flutes and Harp. A collection of nine hymns, written purposefully such that the flute parts are more difficult than the harp part. The arrangements are shorter in length, making them a good...

Rain Songs' has been named 'one of the truly great works for flute and harp' by the Jefferson Duo, for whom the work was commissioned. Its title and mood is inspired by the sound of the Andean rain st...

Entre Nous' is a four-movement suite for Flute and Harp, premiered in the Salle Cortot concert hall (Paris, France) in October 2017. The movements are titled: Promenade, A Gaspar, Une Baignade, and On...

Angelsong' is a four-movement suite for Flute and Harp, consisting of free-floating, modal tone poems, exploring the beauty of sound. The movements are titled: Cassiel (Angel of Tears), Phanuel (Angel...

Louis Anthony deLise's Passaggio for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan. The compositions included in this suite are arrangements of solo piano pieces by deLi...

Louis Anthony deLise's Seminare for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan. The compositions included in this suite are arrangements of solo piano pieces by deLis...

Louis Anthony deLise's Giocara for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan. As the title implies, (giocara means 'to play'), this collection is all about playfulne...

Louis Anthony deLise's Celebrations! for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan and consists of four works: The Music Box, To Dance With You, A Trot Through the S...

Prelude, Fugue and Variation for Flute and Harp (or Piano), by Cesar Franck, here adapted for concert performance by Eugene Magalif, including further "improvisatory" passages following the Prelude, t...

A gentle piece, composed for the wedding of the composer's brother. An interesting composition which features the interplay between the flute and organ.

A great virtuoso encore piece, newly edited in 2013 and much easier to read now!

for Flute and Piano. 'An Introduction to 19th Century Solos' - Ten pieces excellent for the intermediate student or for encores.

for Flute and Piano. A lively, entertaining piece, suitable for recitals and contests, edited by George Pope. A great crowd pleaser!

for Flute and Piano. 'A Night at the Opera' - A collection of four operatic fantasies by Auber, Planquette, Audran, and Strauss. Good for either piccolo or C flute.

Four distinct movements for alto flute, C flute, bass flute, and piccolo. Each movement allows an individual in the flute family to portray its characteristics.

for Flute and Piano. The famous violin sonata is known for its beauty, charm, pastoral quality, and relative simplicity.

for Flute and Piano. Der Rattenfanger von Hameln; Brillante Concert-Fantasie - Perfect pieces for encores or light programming. Virtuosic, with lots of flair.

for Flute and Piano. Three delightful pieces that are appealing to both the performer and theaudience. Selections include: Prelude, Orientale, Air de Ballet

A seldom-heard work by Faure for flute and piano. Great for contests or recitals.

A fresh arrangement of this early American melody, with melodic liberties keeping within the improvisational practices of the soul and gospel singers who made it prominent.