Bärenreiter Verlag

Il ricco patrimonio pianistico di Bedrich Smetana (1824-1884) comprende per lo più composizioni che richiedono le capacità di un pianista avanzato o addirittura professionista. In questo album, che fa...

Aunque Antonín Dvorák dejó tras de sí una extensa obra para piano solo, los jóvenes pianistas y los aficionados menos avanzados suelen introducirse en el mundo sonoro del compositor con las mismas y c...

Beethoven's Sonata in F major op. 54 was written in 1804, just after the highly virtuosic 'Waldstein' Sonata and before the 'Appassionata' Sonata, and has unjustly stood in the shadow of its predecess...

> Scholarly-critical Urtext edition at the cutting edge of scholarship<br>> Optimal page turns<br>> Informative Introduction with valuable suggestions on period performance practi...

It was not until 1814, five years after the Sonata op. 81 'Les Adieux', that Beethoven, then at the height of his popularity during the Congress of Vienna, returned to the piano sonata. The highly lyr...

> New critical performing editions at the cutting edge of scholarship > Optimum page-turns > Introductions with valuable notes on historical performance practice (Eng/Ger) and Critical Commentaries (E...

Owing to severe illness, Beethoven had to wait for over a year after completing op. 109 before beginning work on the second piece in his triptych of late sonatas: the Piano Sonata in A-flat major op....

Mit Hinweisen zur Aufführungspraxis von Jonathan Del Mar und Misha Donat

> Scholarly-critical Urtext editions at the cutting edge of scholarship<br>> Practical page turns<br>> Informative Introductions with valuable notes on period performance practice...

Mit Fingersatz und Hinweisen zur Aufführungspraxis von Paul Badura-Skoda

La "Berceuse" de Chopin es una de sus obras más interpretadas y fue considerada por compositores posteriores como el prototipo de la canción de cuna instrumental. La pieza, que Chopin denominó inicial...

In 1845/46 Chopin composed his bel canto inspired 'Barcarolle' in F-sharp major op. 60, which became a model for subsequent generations of composers. In his evaluation of the divergent and partly even...

Fauré's 'Pavane' was composed for orchestra in 1887, followed by a version for chorus and orchestra in that same year. Three decades later Serge Diaghilev had it choreographed for his Ballets russes -...

Aún quedan muchas preguntas sin respuesta sobre la bagatela más famosa de Beethoven con el sobrenombre de "Für Elise": Ni se conoce el paradero de la copia justa autógrafa, ni se sabe quién está detrá...

Following the critically acclaimed publication of the 35 Piano Sonatas in separate editions, Bärenreiter now presents Beethoven's Complete Piano Sonatas in three volumes. This edition, which is unpara...

Alongside the Urtext edition of Beethoven's 35 piano sonatas which sets new standards for the 21st century, world-renowned Beethoven expert Jonathan Del Mar presents a Critical Commentary to this body...

Tras la publicación de la aclamada edición Urtext en fascículos, Bärenreiter presenta las 35 sonatas para piano de Beethoven en una edición completa de tres volúmenes. El editor de esta edición, insup...

Tras la edición de la aclamada edición Urtext en volúmenes individuales, Bärenreiter presenta las 35 sonatas para piano de Beethoven en una edición completa en tres volúmenes. El editor de esta edició...

Tras la edición de la aclamada edición Urtext en volúmenes individuales, Bärenreiter presenta las 35 sonatas para piano de Beethoven en una edición completa en tres volúmenes. El editor de esta edició...

Following the critically acclaimed publication of the 35 Piano Sonatas in separate editions, Bärenreiter now presents Beethoven's Complete Piano Sonatas in three volumes. This edition, which is unpara...

Fauré composed his 5 impromptus in two distinct periods of his career, in 1881-83 and 1906-09. Inspired by Chopin's example, the brilliant early impromptus (opp. 25, 31 and 34) resemble lyrical études...

Saint-Saëns' "Six Études pour piano" op. 52, ein Werk der Reifezeit, erschienen 1877, etwa zur selben Zeit wie seine Oper "Samson et Dalila". Die zweite der Etüden war 1868 ursprünglich für die "École...

More than 20 years after op. 52, Saint-Saëns turned once more to the genre of the concert etude. In 1892, he wrote an etude that was initially intended for publication in a magazine and later was to b...

Saint-Saëns' etudes for the left hand were written in 1912 at the request of his pianist friend Caroline Montigny-Rémaury de Serres, who had suffered an injury to her right hand. These etudes which we...