Breitkopf & Härtel KG

If 'several music lovers and music directors consider this mass to be genuine and well Mozartian' (original statement Ludwig Ritter von Köchel), we want to do the same with good reason. '

Mendelssohn composed his concert piece op. 113 on a (single) December day in 1832 for the clarinetist friends Heinrich and Carl Baermann with the humorous subtitle 'Ein großes Duett für Dampfnudel ode...

The search for an authoritative musical text led Christian Rudolf Riedel, among others, to the 'New World', specifically to the archives of the New York Philharmonic ...

Franz Beyer's Urtext edition, even in cases of occasional inconsistency, adheres to Mozart's transcription.

A text-critical edition 'according to the sources' of the work first published by Breitkopf & Härtel in 1885.

The new edition is based on the autograph and contemporary voice material as authentic sources.

Choral score, piano reduction and libretto are usable for both versions. Sigismund Ritter von Neukomm completed Mozart's Reuqiem in 1821 with the liturgically necessary 'Libera me, Domine'.

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

In the case of the 1st Symphony, Clive Brown provides the optimal balance of source criticism and practical relevance.

The main differences from the available editions concern mainly articulation and dynamics in movements 1, 2 and 4. This Critical Report is a treasure trove for the practitioner ...

As with the other Beethoven reissues by Clive Brown and Peter Hauschild, the editor does not mechanically align the often very different indications in the sources for the 4th Symphony.

The conducting score contains only an abridged version of the detailed Critical Report that was published separately in book form (Brown: The Reassessment of the Sources of Beethoven's 5th Symphony, B...

Ludwig van Beethoven conceived his 7th Symphony in the summer of 1811 in the Bohemian spa town of Teplitz. The fair copy of the score autograph was made in 1812. The work was first heard on December 8...

With sovereign expertise, Hauschild manages to combine source criticism and the requirements of performance practice, while also keeping the Critical Report (included in the score, of course) concise.

The difficult balancing act between the requirements of practical usefulness and philological meticulousness has been accomplished at a level that sets the bar for comparable efforts frighteningly hig...

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)