Breitkopf & Härtel

With his oratorio "St. Paul" (Paulus), Op. 36, Felix Mendelssohn Bartholdy created a captivating masterpiece of monumental sonic grandeur and profound emotional depth. Scored for five soloists (SATBB)...

Märker's Urtext edition is based on the first printing of the score in 1835.

With his oratorio »St. Paul« (Paulus) Op. 36, Felix Mendelssohn Bartholdy created a captivating masterpiece full of dramatic power, magnificent choral grandeur, and profound spiritual expression. The...

Felix Mendelssohn Bartholdy's monumental oratorio 'Paulus' (St. Paul) Op. 36 stands as one of the most moving masterpieces of Romantic sacred music. Composed for five vocal soloists (SATBB), mixed cho...

Immerse yourself in the powerful and deeply moving world of Felix Mendelssohn Bartholdy's oratorio »Paulus«, Op. 36. Scored for five soloists (SATBB), mixed choir, and orchestra, this masterpiece stan...

Experience the overwhelming sonic splendor of Felix Mendelssohn Bartholdy's celebrated oratorio "St. Paul" (Paulus), Op. 36 from the perspective of the second violins. This monumental masterpiece for...

With "Sospiri" Op. 70, Edward Elgar created a deeply moving, melancholic masterpiece of timeless beauty. This elegiac Adagio for string orchestra, harp, and harmonium (or keyboard instrument ad libitu...

The first set of Slavonic Dances, edited by Dvorak expert Klaus Döge, constituted a small series of works in 1996, which continued to grow in the following years.

The first set of Slavonic Dances, edited by Dvorak expert Klaus Döge, constituted a small series of works in 1996, which continued to grow in the following years.

The first set of Slavonic Dances, edited by Dvorak expert Klaus Döge, constituted a small series of works in 1996, which continued to grow in the following years.

The first set of Slavonic Dances, edited by Dvorak expert Klaus Döge, constituted a small series of works in 1996, which continued to grow in the following years.

The first set of Slavonic Dances, edited by Dvorak expert Klaus Döge, constituted a small series of works in 1996, which continued to grow in the following years.

The first set of Slavonic Dances, edited by Dvorak expert Klaus Döge, constituted a small series of works in 1996, which continued to grow in the following years.

Experience the stirring radiance and solemn grandeur of Wolfgang Amadeus Mozart's masterful Missa in C major, K. 257, renowned as the "Great Credo Mass". Composed in 1776, this work captivates with it...

Wolfgang Amadeus Mozart's radiant Mass in C major, K. 257, widely known as the "Great Credo Mass," stands as one of the most impressive sacred masterpieces of the Viennese Classical era. Scored for fo...

Wolfgang Amadeus Mozart's festive "Missa in C major" K. 257 – celebrated as the masterful "Great Credo Mass" – radiates timeless sacred grandeur and vibrant musical energy. Composed for four soloists...

Experience a true masterpiece of sacred music with Wolfgang Amadeus Mozart's brilliant "Missa in C major" K. 257, widely renowned as the "Great Credo Mass". This magnificent work for four soloists (SA...

Experience a magnificent masterpiece of sacred music with Wolfgang Amadeus Mozart's Missa in C major, K. 257 ("Great Credo Mass"). Written for four vocal soloists (SATB), mixed choir, orchestra, and o...

The 'Köchel' still describes the autograph to Mozart's popular aria, but reports it as 'lost' already in 1964. Now the manuscript has reappeared and serves (1997) as a reliable basis.

The 'Köchel' still describes the autograph to Mozart's popular aria, but reports it as 'lost' already in 1964. Now the manuscript has reappeared and serves (1997) as a reliable basis.

The 'Köchel' still describes the autograph to Mozart's popular aria, but reports it as 'lost' already in 1964. Now the manuscript has reappeared and serves (1997) as a reliable basis.

The 'Köchel' still describes the autograph to Mozart's popular aria, but reports it as 'lost' already in 1964. Now the manuscript has reappeared and serves (1997) as a reliable basis.

The 'Köchel' still describes the autograph to Mozart's popular aria, but reports it as 'lost' already in 1964. Now the manuscript has reappeared and serves (1997) as a reliable basis.

A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann

A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann