Breitkopf & Härtel

[KamEns(Orch) ] 22' Text: Loriot. 1(Picc).0.1.0. - 0.0.0. - Harmonica. Xyl - 2Klav - Str: 1.1.1.1. (or also multiple cast).

Immerse yourself in Camille Saint-Saëns’ humorous masterpiece: With “Le Carnaval des animaux” (The Carnival of the Animals), the French composer created one of the most charming and vivid pieces of pr...

Immerse yourself in the witty and colorful world of Camille Saint-Saëns' masterpiece "Le Carnaval des animaux" (The Carnival of the Animals). This world-famous "grand zoological fantasy" has delighted...

Camille Saint-Saëns’ humorous masterpiece "Le Carnaval des animaux" (The Carnival of the Animals – Grand Zoological Fantasy) has enchanted audiences of all ages for generations. Across 14 vivid moveme...

Camille Saint-Saëns’ witty masterpiece "Le Carnaval des animaux" (The Carnival of the Animals) is one of the most cherished and delightful works in classical music history. In this famous "grand zoolo...

Immerse yourself in Camille Saint-Saëns’ witty and vibrant musical masterpiece: "Le Carnaval des animaux" (The Carnival of the Animals - Grande fantaisie zoologique) is one of the most beloved gems in...

Immerse yourself in Camille Saint-Saëns' humorous and timeless masterpiece: »Le Carnaval des animaux« (The Carnival of the Animals – Grand Zoological Fantasy). From the graceful swan and majestic lion...

Immerse yourself in Camille Saint-Saëns’ witty and timeless masterpiece: "Le Carnaval des animaux" (The Carnival of the Animals – Grand Zoological Fantasy). Spanning approximately 22 minutes, this enc...

In Mozart's fragment, written in 1785, the 'Magic Flute' already sounds at times.

In Mozart's fragment, written in 1785, the 'Magic Flute' already sounds at times.

In Mozart's fragment, written in 1785, the 'Magic Flute' already sounds at times.

In Mozart's fragment, written in 1785, the 'Magic Flute' already sounds at times.

In Mozart's fragment, written in 1785, the 'Magic Flute' already sounds at times.

In Mozart's fragment, written in 1785, the 'Magic Flute' already sounds at times.

The concert pieces op. 113 and 114 make special demands on source criticism.

The concert pieces op. 113 and 114 make special demands on source criticism.

The concert pieces op. 113 and 114 make special demands on source criticism.

The concert pieces op. 113 and 114 make special demands on source criticism.

The concert pieces op. 113 and 114 make special demands on source criticism.

The concert pieces op. 113 and 114 make special demands on source criticism.

With Cesar Franck's only symphony, a central repertoire work of the late Romantic period finds its way into the new orchestral editions that Breitkopf & Härtel has placed under the heading of 'source...

With Cesar Franck's only symphony, a central repertoire work of the late Romantic period finds its way into the new orchestral editions that Breitkopf & Härtel has placed under the heading of 'source...

With Cesar Franck's only symphony, a central repertoire work of the late Romantic period finds its way into the new orchestral editions that Breitkopf & Härtel has placed under the heading of 'source...

With Cesar Franck's only symphony, a central repertoire work of the late Romantic period finds its way into the new orchestral editions that Breitkopf & Härtel has placed under the heading of 'source...

With Cesar Franck's only symphony, a central repertoire work of the late Romantic period finds its way into the new orchestral editions that Breitkopf & Härtel has placed under the heading of 'source...