Breitkopf & Härtel

The triple 'Hafner-Musique' Wolfgang Amadeus Mozart composed the Hafner Symphony K. 385 in the summer of 1782 on the occasion of the nobilization of his friend and patron Sigmund Hafner. In addition t...

The triple 'Hafner-Musique' Wolfgang Amadeus Mozart composed the Hafner Symphony K. 385 in the summer of 1782 on the occasion of the nobilization of his friend and patron Sigmund Hafner. In addition t...

The triple 'Hafner-Musique' Wolfgang Amadeus Mozart composed the Hafner Symphony K. 385 in the summer of 1782 on the occasion of the nobilization of his friend and patron Sigmund Hafner. In addition t...

The triple 'Hafner-Musique' Wolfgang Amadeus Mozart composed the Hafner Symphony K. 385 in the summer of 1782 on the occasion of the nobilization of his friend and patron Sigmund Hafner. In addition t...

The triple 'Hafner-Musique' Wolfgang Amadeus Mozart composed the Hafner Symphony K. 385 in the summer of 1782 on the occasion of the nobilization of his friend and patron Sigmund Hafner. In addition t...

La edición Urtext de Jean-François Monnard es la primera edición de La Valse que compara todas las fuentes pertinentes. La primera impresión de la partitura, publicada en 1921, sirvió de modelo.

La edición Urtext de Jean-François Monnard es la primera edición de La Valse que compara todas las fuentes pertinentes. La primera impresión de la partitura, publicada en 1921, sirvió de modelo.

La edición Urtext de Jean-François Monnard es la primera edición de La Valse que compara todas las fuentes pertinentes. La primera impresión de la partitura, publicada en 1921, sirvió de modelo.

La edición Urtext de Jean-François Monnard es la primera edición de La Valse que compara todas las fuentes pertinentes. La primera impresión de la partitura, publicada en 1921, sirvió de modelo.

La edición Urtext de Jean-François Monnard es la primera edición de La Valse que compara todas las fuentes pertinentes. La primera impresión de la partitura, publicada en 1921, sirvió de modelo.

La edición Urtext de Jean-François Monnard es la primera edición de La Valse que compara todas las fuentes pertinentes. La primera impresión de la partitura, publicada en 1921, sirvió de modelo.

Experience George Frideric Handel's masterpiece in its purest and most authentic form: The Organ Concerto No. 1 in G minor, Op. 4/1 (HWV 289) is one of the radiant highlights of the Baroque concerto r...

The new edition of all 16 of Handel's organ concertos by Ton Koopman has been completed. The quality of this edition has been highly praised everywhere. Source-critical responsibility goes hand in han...

Experience George Frideric Handel's masterful Organ Concerto No. 1 in G minor, Op. 4/1, HWV 289 in an outstanding Urtext edition published by Breitkopf & Härtel. As a leading figure in historically in...

Experience George Frideric Handel’s masterpiece in its purest form: the Organ Concerto No. 1 in G minor, Op. 4/1 HWV 289 captivates with its Baroque splendor, refined melodic lines, and the vibrant di...

Experience George Frideric Handel's magnificent Organ Concerto No. 1 in G minor, Op. 4/1 (HWV 289) in a first-class Urtext edition published by Breitkopf & Härtel. As the leading voice of the string e...

George Frideric Handel's Organ Concerto No. 1 in G minor, Op. 4/1 HWV 289, is one of the most magnificent highlights of the Baroque concerto repertoire. In this first-class Urtext edition published by...

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)