Breitkopf & Härtel KG

For the premiere in London on May 14, 1832, he prepared a fundamental new version, and Mendelssohn continued to fine-tune details until the first printing of the score, which was published by Breitkop...

For the premiere in London on May 14, 1832, he prepared a fundamental new version, and Mendelssohn continued to fine-tune details until the first printing of the score, which was published by Breitkop...

For the premiere in London on May 14, 1832, he prepared a fundamental new version, and Mendelssohn continued to fine-tune details until the first printing of the score, which was published by Breitkop...

For the premiere in London on May 14, 1832, he prepared a fundamental new version, and Mendelssohn continued to fine-tune details until the first printing of the score, which was published by Breitkop...

For the premiere in London on May 14, 1832, he prepared a fundamental new version, and Mendelssohn continued to fine-tune details until the first printing of the score, which was published by Breitkop...

A visit to the opera provided the impetus for dealing with the fairy-tale theme of the knight Raimund's love for the beautiful mermaid Melusine, which forms the basis of Mendelssohn's fourth concert o...

A visit to the opera provided the impetus for dealing with the fairy-tale theme of the knight Raimund's love for the beautiful mermaid Melusine, which forms the basis of Mendelssohn's fourth concert o...

A visit to the opera provided the impetus for dealing with the fairy-tale theme of the knight Raimund's love for the beautiful mermaid Melusine, which forms the basis of Mendelssohn's fourth concert o...

A visit to the opera provided the impetus for dealing with the fairy-tale theme of the knight Raimund's love for the beautiful mermaid Melusine, which forms the basis of Mendelssohn's fourth concert o...

A visit to the opera provided the impetus for dealing with the fairy-tale theme of the knight Raimund's love for the beautiful mermaid Melusine, which forms the basis of Mendelssohn's fourth concert o...

A visit to the opera provided the impetus for dealing with the fairy-tale theme of the knight Raimund's love for the beautiful mermaid Melusine, which forms the basis of Mendelssohn's fourth concert o...

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

A repertoire work in the Urtext for practice edited by Christoph Hellmundt - Urtext according to the Leipzig Mendelssohn-Gesamtausgabe

The much-played 'Scottish', which incidentally Mendelssohn never called so, appears in the Urtext edition in a new light.

The much-played 'Scottish', which incidentally Mendelssohn never called so, appears in the Urtext edition in a new light.

The much-played 'Scottish', which incidentally Mendelssohn never called so, appears in the Urtext edition in a new light.

The much-played 'Scottish', which incidentally Mendelssohn never called so, appears in the Urtext edition in a new light.

The much-played 'Scottish', which incidentally Mendelssohn never called so, appears in the Urtext edition in a new light.

For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.

For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.

For the 'Fidelio' overture, composed at lightning speed in 1814, a copy of the score in the Austrian National Library today provides a reliable basis for a new text-critical edition.