Breitkopf & Härtel KG

Franz Beyer's Urtext edition, even in cases of occasional inconsistency, adheres to Mozart's transcription.

Franz Beyer's Urtext edition, even in cases of occasional inconsistency, adheres to Mozart's transcription.

A text-critical edition 'according to the sources' of the work first published by Breitkopf & Härtel in 1885.

A text-critical edition 'according to the sources' of the work first published by Breitkopf & Härtel in 1885.

A text-critical edition 'according to the sources' of the work first published by Breitkopf & Härtel in 1885.

A text-critical edition 'according to the sources' of the work first published by Breitkopf & Härtel in 1885.

A text-critical edition 'according to the sources' of the work first published by Breitkopf & Härtel in 1885.

In addition to a preface and a detailed critical report, our score also contains Schubert's extensive piano sketch, which allows important conclusions to be drawn about the creation of the 'Unfinished...

In addition to a preface and a detailed critical report, our score also contains Schubert's extensive piano sketch, which allows important conclusions to be drawn about the creation of the 'Unfinished...

In addition to a preface and a detailed critical report, our score also contains Schubert's extensive piano sketch, which allows important conclusions to be drawn about the creation of the 'Unfinished...

In addition to a preface and a detailed critical report, our score also contains Schubert's extensive piano sketch, which allows important conclusions to be drawn about the creation of the 'Unfinished...

In addition to a preface and a detailed critical report, our score also contains Schubert's extensive piano sketch, which allows important conclusions to be drawn about the creation of the 'Unfinished...

In addition to a preface and a detailed critical report, our score also contains Schubert's extensive piano sketch, which allows important conclusions to be drawn about the creation of the 'Unfinished...

The new edition is based on the autograph and contemporary voice material as authentic sources.

The new edition is based on the autograph and contemporary voice material as authentic sources.

The new edition is based on the autograph and contemporary voice material as authentic sources.

The new edition is based on the autograph and contemporary voice material as authentic sources.

The new edition is based on the autograph and contemporary voice material as authentic sources.

The revision was made on the basis of Mozart's autograph, which today, after being moved from the Prussian State Library to Poland during World War II, is in the Jagiellonska Library in Kraków.

The revision was made on the basis of Mozart's autograph, which today, after being moved from the Prussian State Library to Poland during World War II, is in the Jagiellonska Library in Kraków.

The revision was made on the basis of Mozart's autograph, which today, after being moved from the Prussian State Library to Poland during World War II, is in the Jagiellonska Library in Kraków.

The revision was made on the basis of Mozart's autograph, which today, after being moved from the Prussian State Library to Poland during World War II, is in the Jagiellonska Library in Kraków.

The revision was made on the basis of Mozart's autograph, which today, after being moved from the Prussian State Library to Poland during World War II, is in the Jagiellonska Library in Kraków.

Choral score, piano reduction and libretto are usable for both versions. Sigismund Ritter von Neukomm completed Mozart's Reuqiem in 1821 with the liturgically necessary 'Libera me, Domine'.

Choral score, piano reduction and libretto are usable for both versions. Sigismund Ritter von Neukomm completed Mozart's Reuqiem in 1821 with the liturgically necessary 'Libera me, Domine'.