Edition HH Limited

Joseph Bodin de Boismortier's Op. 20 sonatas for solo violin and basso continuo (1727) are the least known of all his sets of sonatas for one or more violins and accompaniment. These very fine works a...

Simon Balicourt (1706-1757), during a London career that lasted from 1735 (the year he arrived from the Continent) until his death, was a leading flautist and flute composer. He left two sets of flute...

Unique among Vivaldi's instrumental works is a quadro which has recently been authenticated and given the catalogue number RV 801. This work is published here for the first time in modern critical edi...

These delightful, elegant quintets by a contemporary and acquaintance of Haydn and Beethoven are central to the Classical flute repertoire. The music is skilfully constructed, the flute and violin sha...

These exceptionally beautiful quartets (HH67, HH68 and HH69) are both elegantly and skilfully written with musically interesting parts for all the players. They thus provide an essential core to the f...

These exceptionally beautiful quartets (HH67, HH68 and HH69) are both elegantly and skilfully written with musically-interesting parts for all the players. They thus provide an essential core to the f...

While one tends to associate the trio sonata for two violins and continuo with Italy, the trio sonata for flute, violin and continuo was largely the province of German composers (including Telemann, J...

One of Mozart's most memorable melodies, brilliantly varied by the Czech composer Josef Gelinek, whom Mozart himself recommended as a keyboard player and composer.

Burgess's concertos display unity in larger matters and variety in smaller ones, aiming to achieve coherence without monotony. Their greatest originality, and a major part of their attractiveness, ari...

These previously unnoticed chamber duets for various pairs of voices and basso continuo are among the most original compositions from the pen of Diogenio Bigaglia (1678-1745), the Venetian monk who wa...

Seyfried uses the same key as the Requiem, its distinctive orchestral sonority and quotes two passages from Mozart's work prompted by clauses in the liturgical text. The 'Libera me' was widely used in...

Haydn’s Symphony No.94 was first performed on 23 March 1792 at the Hanover Square Rooms under the direction of Salomon as concertmaster with the composer himself at the fortepiano. The work was an ins...

In Hope has been written for Pixels Ensemble. The first performance will be given at a concert of Stephen's work in the Angel Field Festival at Liverpool Hope University in June, 2021. The event, mark...

Diogenio Bigaglia's dramatic cantata Plutone e Proserpina for soprano, contralto, strings and continuo, composed around 1710 by this Venetian Benedictine monk highly esteemed as a composer by his cont...

The so-called 'Anna Maria Partbook' consists of an elegantly bound volume in red leather containing the violin part of 31 highly virtuoso violin concertos, 26 of which are by Vivaldi. The collection r...

Nicolas Mori's arrangement of Beethoven's 7th Symphony was published in the 1820s by Elizabeth Lavenu, widow of the London violinist and publisher Lewis Lavenu, who died in 1818. She married Mori, a v...

A forgotten quartet attributed to Haydn and largely ignored for 200 years. Issued in Vienna in 1787 by Haydn's favoured publisher, Artaria, the title page claims that it was both composed and arranged...

The cantata Pallidetta viola has come down to us in five non-autograph manuscript sources respectively preserved in Genoa, London (two MSS), Paris, and Pavia: the transmission of the musical text of t...

The so-called ‘Anna Maria Partbook' consists of an elegantly bound volume in red leather containing the violin part of 31 highly virtuoso violin concertos, 26 of which are by Vivaldi. The collection r...

The so-called ‘Anna Maria Partbook' consists of an elegantly bound volume in red leather containing the violin part of 31 highly virtuoso violin concertos, 26 of which are by Vivaldi. The collection r...

Bayo's way is really a miniature tuba concerto in one movement. The composer wanted the soloist to be the provider of pulse, a protagonist, a melodist and a magician. With this in mind, I set out to u...