Faber Music

Instrumentation: 2222 - 4000 - strings

Instrumentation: 2(I=picc ad lib).2.2.(bcl).2 - 423(1) - timp -perc(1/2): tam-t/glsp/cyms/2 susp.cym/ratchet/BD/tgl/(siz.cym) - (pno) - (harp) - strings

Instrumentation: 3(III=picc).2.2.bcl.(cbcl).2.cbsn - 4.2(I=ptpt adlib).3.1 - timp - perc(3): vib/3 BD/3 susp.cym/hi-hat/tpl.bl/xyl/6 tom-t/(siz.cym)/tam-t/gong/6 rototom/4 t.bells/glsp/claves/mcas - p...

First performed in Manchester, by the BBC Philharmonic Orchestra, conducted by Edward Downes, this work lasts 21 minutes and is for full orchestra. Instrumentation: 2(II=picc).afl(=picc).2.ca.2(II=Ebc...

"With its subtle shifts of colour, its scrapping ebb and flow of percussion, and its gradual intensification, the first part evoked both Britten and Debussy. The latter and more substantial part,...

A cleverly devised, texturally fresh and engaging short essay... with its percussive tick-tocks, extended melodies for a woodwind section including saxophone... Paul Driver, Financial Times, June 1986...

The title Cortege does not imply a funeral march, but rather a measured processional in which the colours are predominantly sombre and the mood dark and often menacing. One of the most important eleme...

... a little jewel of a five-minute orchestral piece. Edward Greenfield, The Guardian, 17 June 1988 Instrumentation: 3.1.ca.3.1.cbsn - 4030 - perc(4): timp/tam-t/2 t.bells/susp.cym/vib/tamb/sleigh bel...

... creates a shimmering tapestry of sound that ranges satisfyingly wide within a brief-span - a fine display piece for conductor and every section of the orchestra. The Guardian, 17 September 1988 In...

... immediately engaging, with its uplifting horn melody, lively fanfares, comfortable harmonies and easy-to-follow trajectory... Mark Stryker, Dayton Daily News, 13 January 1994 Instrumentation: picc...

Instrumentation: 1(=picc).1.2.1 - 2310 - perc(2): drum kit/glsp/2 timp/xyl/tgl/siren/guiro/bicycle bell/2 wdbl/klaxon/police whistle/ratchet - pno - harp - strings

Instrumentation: picc.2.2.ca.2.bcl.2.cbsn - 4331 - timp - perc(2/3): BD/4 tom-t/vibraslap/metal ratchet/susp.cym/siz.cym/hi-hat/tam-t/guiro/glsp - harp - strings

Holst's Symphony in F: The Cotswold Op. 8 (H. 47) was composed in 1899 and 1900 and given what was in all probability its only performance in 1902 by the Bournemouth Municipal Orchestra conducted by D...

The work was inspired by a visit to Easter Island, famous for its great stone heads, monuments that can be seen as both an example of the indomitable nature of the human spirit and as part of its grea...

Full score of Thomas Adès' 1993 composition for large Orchestra. Instrumentation: 3(all=picc).3(III=ca.I+II=ca ad lib).3(II=Ebcl.III=bcl).3(III=cbsn) – 6.3(I=crt ad lib).2.btrbn.1 – perc(6): timp/6 tg...

It is written to please and does not put a foot wrong, as it dances energetically along to some singable themes, with invigorating rhythms, cast in a clear structure, and above all flourishing a maste...

Instrumentation: 2.afl.2.ca.2.bcl.2 - 4230 - timp - perc(2): wdbl/3 susp.cym/cyms/BD+cym/hi-hat/glsp/vib/BD+foot ped/tam-t/flexatone/mar - pno(=elec keyboard ad.lib) - harp - strings (min 24[vln div i...

Originally conceived to be performed in conjunction with excerpts from Fritz Lang's classic silent film Metropolis , this brooding 11-minute work from 1996 now exists as a concert work in its own...

'These Premises Are Alarmed' was written for the Halle Orchestra during Thomas Ades's period as Composer-in-Association with them. The first performance was given by the Halle Orchestra conducted by K...

Instrumentation: 3(III=picc).3(III=ca).2.bcl.2.cbsn - 4331 - timp - perc(3): SD/BD/cyms/susp cym/tgl/tamb/t.bells - 2 harp - pno - strings

Instrumentation: picc.2.2.2.2 - 4331 - timp - perc(3): t.bells/glsp/cyms/tam-t/BD - strings

Instrumentation: 3(III=picc).2(II=ca).2.2 - 4231 - timp - perc(1): cyms - strings

Instrumentation: 2.2(II=ca).2.2 - 2230 - timp(=tgl) - harp - strings