G. Schirmer

Intensely descriptive from the very first note, 'Cry of the Last Unicorn' portrays a fateful encounter of hunters tracking the 'last unicorn. ' The music is at times poignant and other times dramatic...

Intensely descriptive from the very first note, 'Cry of the Last Unicorn' portrays a fateful encounter of hunters tracking the 'last unicorn. ' The music is at times poignant and other times dramatic...

Intensely descriptive from the very first note, 'Cry of the Last Unicorn' portrays a fateful encounter of hunters tracking the 'last unicorn. ' The music is at times poignant and other times dramatic...

Intensely descriptive from the very first note, 'Cry of the Last Unicorn' portrays a fateful encounter of hunters tracking the 'last unicorn. ' The music is at times poignant and other times dramatic...

Intensely descriptive from the very first note, 'Cry of the Last Unicorn' portrays a fateful encounter of hunters tracking the 'last unicorn. ' The music is at times poignant and other times dramatic...

Intensely descriptive from the very first note, 'Cry of the Last Unicorn' portrays a fateful encounter of hunters tracking the 'last unicorn. ' The music is at times poignant and other times dramatic...

Intensely descriptive from the very first note, 'Cry of the Last Unicorn' portrays a fateful encounter of hunters tracking the 'last unicorn. ' The music is at times poignant and other times dramatic...

Intensely descriptive from the very first note, 'Cry of the Last Unicorn' portrays a fateful encounter of hunters tracking the 'last unicorn. ' The music is at times poignant and other times dramatic...

Intensely descriptive from the very first note, 'Cry of the Last Unicorn' portrays a fateful encounter of hunters tracking the 'last unicorn. ' The music is at times poignant and other times dramatic...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...

Selected from the ballet Gayaneh, these three colorful examples of Aram Khachaturian's writing for ballet are based on rhythms and melodic motives from different ethnic groups, ranging from the very S...