G. Henle Verlag

In 1849 Schumann turned to a new genre: works for piano and an accompanying instrument. The first work he composed were the Fantasy Pieces for Piano and Clarinet op. 73, immediately followed by the Ad...

Camille Saint-Saëns composed his two Romances for Horn for two of the most respected French horn players of the time: Opus 67 in E major from 1866 is dedicated to Henri Chaussier; Opus 36 in F major f...

Paul Dukas wrote his Villanelle as a demanding exam piece for the horn class of the Paris Conservatoire in 1906. The title, referencing a cheerful traditional vocal genre that originated in 16th centu...

> For horn in F > First Urtext edition > Glazunov's autograph consulted for the first time in St. Petersburg > Highly Romantic work > Effective recital piece, even for advanced pupils > Fingering: Kla...

Scriabin is mainly known for his mystic-visionary piano works today; but his Romance for horn, which he composed at a young age, is also a charming chamber music work. The technically not very demandi...

The Dane Carl Nielsen was one of the most original composers at the turn of the 20th century. Based on the German Romantic tradition he developed his own musical language, especially in his symphonies...

Mozart's clean autograph provides a secure basis for this Urtext edition, which deliberately does not level minor subtleties and deviations by Mozart at parallel and repeated passages. The horn parts...

Mendelssohn in all probability composed the sonata for Carl Baron von Kaskel, who was also acquainted with Schumann and Wagner, and who dabbled in playing the clarinet and composing. The autograph of...

> With additional, alternative clarinet part for the basset horn part > Fingering: Klaus Schilde 'Favourite dish in exchange for favourite music' - this perfectly summarizes the genesis of the Konzert...

Carl Nielsen's Fantasiestück for clarinet and piano is a youthful work. Nielsen was a member of the military band in Odense, Denmark. Only between 16 and 18 years old at the time, he demonstrated with...

It is little known that alongside his three great sonatas for clarinet and piano, Reger also wrote two charming miniatures for the same instrumentation. At the same time, it was the composer's express...

Urtext edition, additional viola part, paperback (with fingering).

Eight years after he had composed his first two Clarinet Sonatas op. 49, Reger confessed in a letter to a friend that he was once again committing 'a new crime against harmony and counterpoint'. He wa...

Both of these works for two oboes and cor anglais, which Beethoven composed in the 1790s, belong to the lighter genre of serenades and divertimentos. He might have written them in response to a commis...

Complete edition linen

As if looking back on his youth toward the end of his life, Richard Strauss wrote a second concerto for horn and orchestra, again in Eb major, around sixty years after his first concerto for horn. Thi...

Haydn's three Symphonies nos. 90-92 might rightly be dubbed his 'Paris Symphonies Part II', as they were commissioned in 1788/89, likewise by the Société Olympique, for which Haydn had already compose...

Brahms hesitated for a long time over writing a solo concerto for an instrument whose technique he was not very familiar with. Therefore in 1877/78 his Concerto for violin and orchestra op. 77 came in...

Los conciertos para clave de Johann Sebastian Bach, enormemente populares hoy en día, ofrecieron en su día al compositor un auténtico campo de experimentación. Bach utilizaba a menudo material preexis...

Los conciertos para clave de Johann Sebastian Bach, enormemente populares hoy en día, ofrecieron en su día al compositor un auténtico campo de experimentación. Bach utilizaba a menudo material preexis...

Los conciertos para clave de Johann Sebastian Bach, enormemente populares hoy en día, ofrecieron en su día al compositor un auténtico campo de experimentación. Bach utilizaba a menudo material preexis...

Los conciertos para clave de Johann Sebastian Bach, enormemente populares hoy en día, ofrecieron en su día al compositor un auténtico campo de experimentación. Bach utilizaba a menudo material preexis...

Sería difícil imaginar el repertorio de conciertos actual sin los conciertos para clave de Johann Sebastian Bach. No se sabe si el Concierto en la mayor BWV 1055, como algunos de los otros conciertos...

Sería difícil imaginar el repertorio de conciertos actual sin los conciertos para clave de Johann Sebastian Bach. No se sabe si el Concierto en la mayor BWV 1055, como algunos de los otros conciertos...