G. Henle Verlag

London, with its bustling musical scene, always provided Haydn with welcome surroundings at a time when the flute was extraordinarily popular among English amateurs. The Earl of Abingdon, an accomplis...

Franz Schubert transformed five song melodies from his rich output of Lieder into instrumental music. The song 'The Trout' from 1817 served as a theme for the variations in his Quintet D. 667 for pian...

Though not nearly as well-known as the 'London Trios,' these six delightful divertimentos are Haydn's first pieces of chamber music to expressly call for the flute. Straightforward and full of Haydn's...

A very readable foreword and extensive Critical Commentary with all necessary information enrich this Urtext edition by master Munich flautist and Mozart expert Henrik Wiese. One may learn there, for...

This pocket score brings together two Mozart quintets that are extraordinary both for their instrumentation and for their musical profundity: the piano quintet K. 452 in E-flat major for piano, oboe,...

> Original keys for high voice > Solo instrument can be played by violin, flute, oboe or similar instruments > Popular pieces in the repertoire > Contains a score both with and without a realization o...

The Shepherd on the Rock, composed in the final year of Schubert's life, was in a certain sense a commission. The opera singer Anna Milder-Hauptmann, the fi rst Leonore in Beethoven's Fidelio, had ask...

Como en todas sus obras de cámara de madurez, Ravel también se revela como un innovador de las formas y técnicas tradicionales en su trío para piano, compuesto en 1914. Así, el movimiento "Passacaglia...

Ever since Mozart encountered the clarinet in Mannheim in 1778 he loved the instrument's warm and expressive tone. His friendship with Anton Stadler, the clarinetist in the Royal-Imperial Court Orches...

It is quite clear to me what is missing from today's music: a Mozart!' With his trios which he consciously kept in a classical manner, Reger hoped to prove the contrary to the 'ignorant people', who f...

This is Mozart's only piece of chamber music for the oboe - and no oboist would want to be without it! Like the Clarinet Quintet, the Oboe Quartet of 1781 was written for a friend: Friedrich Ramm, a m...

What might have occasioned Mozart to rework his original Serenade for sextet into a version for octet (with two oboes) only a few months after he had completed it? Was there an 'external” cause? Once...

I've had to turn out a serenade on short order': these lines from Mozart to his father offer a glimpse into the everyday life of a composer dependent on patronage. Mozart was about to be married when...

'Wind music of a very special nature on a large-scale, a composition by Hr. Mozart' - this was the way the 'Wiener Blättchen' announced the concert in the National Court Theatre, in which the clarinet...

We not only owe three of Mozart's horn concertos to his friendship with Ignaz Leutgeb; the solo part of this unusual chamber music work was also written especially for him. Instead of having two violi...

Written in March 1886 as a humorous occasional work for the traditional carnival concert organized by his cellist friend Charles-Joseph Lebouc, the Carnival of the Animals was so successful that Saint...

It is hardly surprising that Beethoven did not write any more chamber music for winds after 1800. Following the change to middle-class musical culture, demand declined for buoyant serenades and divert...

The three Duos for Clarinet and Bassoon WoO 27 stylistically belong to Beethoven's earliest creative period. Due to their lively character, the skilful play with timbre, and the fact that they are not...

In 1849 Schumann turned to a new genre: works for piano and an accompanying instrument. The first work he composed were the Fantasy Pieces for Piano and Clarinet op. 73, immediately followed by the Ad...

Camille Saint-Saëns composed his two Romances for Horn for two of the most respected French horn players of the time: Opus 67 in E major from 1866 is dedicated to Henri Chaussier; Opus 36 in F major f...

Paul Dukas wrote his Villanelle as a demanding exam piece for the horn class of the Paris Conservatoire in 1906. The title, referencing a cheerful traditional vocal genre that originated in 16th centu...

> For horn in F > First Urtext edition > Glazunov's autograph consulted for the first time in St. Petersburg > Highly Romantic work > Effective recital piece, even for advanced pupils > Fingering: Kla...

Scriabin is mainly known for his mystic-visionary piano works today; but his Romance for horn, which he composed at a young age, is also a charming chamber music work. The technically not very demandi...

The Dane Carl Nielsen was one of the most original composers at the turn of the 20th century. Based on the German Romantic tradition he developed his own musical language, especially in his symphonies...

Mozart's clean autograph provides a secure basis for this Urtext edition, which deliberately does not level minor subtleties and deviations by Mozart at parallel and repeated passages. The horn parts...