G. Henle Verlag

Attention, string quartet players: the long wait is over! Henle launches its series of late Beethoven quartets with op. 131 in c sharp minor and op. 132 in a minor, using the definitive urtext from th...

Beethoven's op. 135, one of the last works he composed, is equally famous for its compositional clarity and for the inadequacy of previous editions. Theproblem lies in the surviving sources, for Beeth...

For connoisseurs of Beethoven's chamber music, G. Henle Publishers offer a special package: all of Beethoven's string quartets in paperback study editions as a seven-volume boxed set. Renowned editors...

'Because I only need four parts to express everything' - Haydn is said to have replied thus when asked why he had not composed a string quintet. Mozart saw things differently. He applied himself to th...

In the Mozart Year 2006, Henle will begin publication of all of Mozart's string quintets in a three-volume Urtext edition (parts and study scores). Volume II, comprising the best-known and most often...

With the publication of the masterpieces K. 593 and 614, all of Mozart's string quintets are now available in Henle Urtext. Our edition corrects several widespread misreadings of the musical text and...

When Smetana completed his Quartet in e minor in dark and dismal colours in 1876, he had already been completely deaf for two years. Which musician is not familiar with the fateful passage in the four...

On 18 May 2006 a manuscript was auctioned at Sotheby's that made chamber musicians prick up their ears. Shortly before his death, Max Bruch composed three works for strings which he was no longer able...

> Inaccuracies in the first edition regarding the articulation and dynamics have been carefully resolved The quartet in a minor is one of the chamber music works with which Schubert wanted to 'pave th...

Schubert only took ten days to write his String Quartet in G major, one of his truly monumental chamber music works. With its almost symphonic dimensions, this late quartet is reminiscent of his great...

Although Schumann's first attempts at composing for this supreme form of chamber music in 1838/39 were only fragments, the three String Quartets op. 41 in a minor, F major and A major were written in...

The genesis of Mendelssohn's string quintets is closely connected to his friend Eduard Rietz and the latter's brother Julius. Deeply affected by Eduard's death in 1832, Mendelssohn exchanged the 'Minu...

Around 1800 Beethoven seems to have completely distanced himself from chamber music for wind. In letters to his publisher we read that he did not have any particular regard for his Septet op. 20 and t...

Debussy's new string quartet received a very cool reception at its première in Paris in December 1893, performed by the famous Quatuor Ysaye. The critics were upset by its unusual harmonies and orches...

Debussy's new string quartet received a very cool reception at its première in Paris in December 1893, performed by the famous Quatuor Ysaye. The critics were upset by its unusual harmonies and orches...

Tchaikovsky spent the summer and autumn of 1880 at his sister’s country estate in Kam’ianka, Ukraine, where he sought peace and relaxation. But after a short time the desire to work took hold of him a...

Tchaikovsky spent the summer and autumn of 1880 at his sister’s country estate in Kam’ianka, Ukraine, where he sought peace and relaxation. But after a short time the desire to work took hold of him a...

Tchaikovsky spent the summer and autumn of 1880 at his sister’s country estate in Kam’ianka, Ukraine, where he sought peace and relaxation. But after a short time the desire to work took hold of him a...

Tchaikovsky spent the summer and autumn of 1880 at his sister’s country estate in Kam’ianka, Ukraine, where he sought peace and relaxation. But after a short time the desire to work took hold of him a...

Tchaikovsky spent the summer and autumn of 1880 at his sister’s country estate in Kam’ianka, Ukraine, where he sought peace and relaxation. But after a short time the desire to work took hold of him a...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...