Hinshaw Music

This is an easy work for treble voices of any age scored with piano accompaniment. Optional percussion parts are to be improvised at the director's discretion (sounds great with claves, tambourine, an...

With both sacred and secular texts available to choose from, this treble work speaks of the joys of being alive with emphasis on the beauty of nature. The author, an unknown child in a Czechoslovakian...

Middle school teacher and composer Tom Shelton has scored this liturgical text for unison voices with piano and oboe (or flute or violin). It is a great work to introduce your children to the principl...

This unison (opt. harmony) work for treble voices was written in response to the tragedy of September 11. Healing in nature, the composer states: 'I wanted a tuneful, patriotic, American sounding melo...

Canadian composer Mark Sirett has an exceptional compositional voice. Try this spirited work with your treble chorus.

The creative team of Green and Crescenz bring us another thought provoking work. Though originally in a SAB setting (HMC1885), this 2-part treble work once again calls our attention to the 'forest as...

Valerie Showers Crescenz is a public school music teacher that understands the young voice. Once again she provide us with a provocative text perfectly matched to an expressive melody.

Composer Tom Shelton, a middle school choral teacher, truly understands the young voice. Try this two-part treble work that expresses the fact that 'music is the language all people share. '

This work was adapted by Charles Gounod from J. S. Bach's 'Prelude No. 1 in C Major' from 'The Well-Tempered Clavier' written in 1859, and it has been a favorite of singers and audiences since then. I...

Taken from Mass No. 6, this advanced work for treble chorus and piano is typical of Orban's energetic rhythmic drive, it is a great piece for concert work!

Hear My Words, published by Hinshaw Music, is a sensitive and melodious setting of Psalm 5:1–4. This moving piece captivates listeners and singers alike with its warm melodic lines and profound emotio...

The creative genius of Mark Hayes makes this work now available for smaller choirs with a two-part mixed setting of this favorite. Also available for SAB (HMC1893) or SATB (HMC1576) voicing

Originally set for SATB voices (HMC1696), Jim Williams now makes the piece available in a lovely two-part mixed voicing, suitable for stewardship Sunday.

Lucy Hirt sets the delightful French carol Il Est Ne for two-part treble voices (children or adults) with piano or handbells or optional orff instruments. The handbell part is included at the back of...

Originally scored for mixed voices (HMC1627), this arrangement for treble voices with piano sets the lovely Kirkpatrick Cradle Song tune to counter melodies found in both the second voice and the pian...

This first work in the choral series, accent on young voices (edited by Maribeth Yoder-White), is set for three-part mixed voices with piano and provides young singers an opportunity to successfully p...

For 2-part treble voices with piano, this is the perfect piece for Earth day celebrations or anytime you wish to acknowledge the beauty of nature, suitable for all ages.

This piece for unison/two-part treble voices with piano and optional percussion is all about fun! Two pieces in this arrangement: Wabash Cannonball & This Train Is Bound For Glory Percussion part incl...

For 2-part treble choir with piano and optional C instrument, Valerie Crescenz sets this gentle folksong for treble voices of all ages.

This baptismal anthem based on a text by Charles Wesley is written for two-part voices, also effective for Communion

Natalie Sleeth has always been acknowledged as a composer with a special gift for the simple melody. Here, David Giardiniere arranges this tune for two-part treble voices with keyboard and optional ha...

An all time favorite, this piece can be done by quite small children or by adults. Everyone loves it! It may be done unison or as a two-part canon, or with the canon done on any C instrument, or even...

In this piece, Tom Shelton combines a number of liturgical texts with some of his own prose. Scored for two-part treble voices, descant, piano, and bells, the work can be used successfully in both con...

The team of Green and Crescenz gives us another thought-provoking work. Scored for two-part treble voices, the text and complementary music affirm, 'We can help them find the ways to make the world a...

Editor Maribeth Yoder-White indicates in her notes that this work is 'an accessible, exciting selection that works well with a variety of ensembles, including festival and massed choirs. ' The text is...