Hope Publishing Company

For 3-5 Octaves of bells with optional Flute. The reproducible flute part is included.

This arrangement of the 'Materna' tune is easy for the soloist but requires more skill from the pianist. It begins in G Major and modulates to C Major. The piano arrangement is by the A. L. Page and C...

Simple, exciting and rhythmically easy. Mart technique is used extensively. 4 to 5-Octave version is MHP1709.

Simple, exciting and rhythmically easy. Mart technique is used extensively. 4 to 5-Octave version is MHP1709.

Simple, exciting and rhythmically easy. Mart technique is used extensively. Several key changes and some accidentals. Chime notes (optional 3-octave) are scored with diamond shaped noteheads. 4 to 5-o...

Simple, exciting and rhythmically easy. Mart technique is used extensively. Several key changes and some accidentals. Chime notes (optional 3-octave) are scored with diamond shaped noteheads. 4 to 5-o...

Arranged for solo handbell and piano accompaniment.

An arrangement of one of the finest hymn tunes of the past several decades. A little syncopation but basically uses simple rhythm patterns.

Nine Christmas tunes, all written on the treble clef. For three to six ringers or small ensemble.

Various techniques add spice to this fast paced spiritual.

Rhythmically easy but because of the techniques and tempo (half note = 76-88) the piece is rated medium advanced.

Using the ABERYSTWYTH tune, this solo becomes a duet between the bells and keyboard, both accompanying and playing the melody. Easy bells - more difficult piano part.

This version of 'O Sacred Head, Now Wounded' is a chordal, contemplative arrangement of the 'Passion Chorale. ' The tempo marking is larghetto, but the arrangement is full, keeping all ringers busy. P...

Royal Oak' tune is the source of this rhythmically easy delightful arrangement. LV (let vibrate) is the only technique and is used extensively. With one key change from G Major to C Major midway throu...

This arrangement of the much loved tune begins tenderly but ends triumphantly accompanied by triplet arpeggios.

An original handbell composition by Cynthia Dobrinski for 3-5 octaves of handbells.