Kendor Music

Popularized in Disney's 1940 animated classic Fantasia, this programmatic masterpiece written by Paul Dukas in 1896 builds gradually to an intense finish.

This lighthearted original gives players outside normal jazz circles a chance to swing with the best of them. As is true of all of Lennie's ensemble materials, the parts in these quintets are an inter...

Whether it's programmed as an encore, performed for contest or featured in a summer concert, this great Sousa favorite is sure to be a hit and a core part of any quintet's repertoire. Duration 3:30.

Whether it's programmed as an encore, performed for contest or featured in a summer concert, this great Sousa favorite is sure to be a hit and a core part of any quintet's repertoire. Duration 3:30.

A lyrical section provides important stylistic contrast in this otherwise brisk, lively piece for grade 3 ensembles. All players share the lead material, and the multicultural appeal will make it very...

While living in Paris in 1933, Sergei Prokofiev wrote the score for Lt. Kije, a film that was never made. A year later he crafted an orchestral suite from the same material, and it is from that second...

Expertly orchestrated for standard woodwind quintet by veteran writer Kevin Kaisershot, this collection includes all the most popular music for weddings.

Expertly orchestrated for standard woodwind quintet by veteran writer Kevin Kaisershot, this collection includes all the most popular music for weddings.

Conjure escenas de barcos en el mar con este animado solo de Larry Clark, ¡con una melodía menor que encantará a los alumnos! Proporciona una oportunidad para que los jóvenes músicos exploren un compá...

Inspirado en la naturaleza, este solo original de Tyler Arcari ofrece a los alumnos una mirada reflexiva sobre el compás de ¾. Aunque el tempo se mantiene bastante constante a lo largo de la pieza, un...

Introduzca a sus alumnos en el conocido poema tonal de Camille Saint-Saëns de una forma divertida y accesible con este arreglo de Tyler Arcari. A un tempo de 166+, este vals es un maravilloso ejercici...

Este sentido solo de Larry Clark es a la vez una hermosa pieza musical y una herramienta didáctica muy eficaz. Los alumnos pueden pulir y exhibir un hermoso tono en el registro medio-superior de su in...

Larry Clark presenta un afinado arreglo de la Canción Italiana de Tchaikovsky del Op. 30 nº 15. Esta encantadora melodía clásica ofrece a los estudiantes una serie de oportunidades de aprendizaje rela...

Based on a melody by James Stoltie, this slow, lyrical work includes an extended cadenza that can be played as written or freely improvised.

Starting and ending with a slow, bluesy theme, the middle portion of this piece is a bright jazz waltz featuring an optional ad lib section (written lines also provided) for soloists with some improvi...

In this regal processional for young soloists, the crisp articulations of the main theme and the expressive lines of two short interludes gives this piece great overall appeal.

This appealing festival favorite in ABA form places an uptempo interlude in G major between expressive opening and closing themes in the key of C.

This appealing festival favorite in ABA form places an uptempo interlude in G major between expressive opening and closing themes in the key of C.

Issued in conjunction with the quartet from which it was derived, this solo-with-piano edition will be as popular with players as it is with audiences. Seductively playful is an apt description, and t...

Instrumentation: Alto Saxophone Solo with Piano Accompaniment

Este corto (duración 2:00) aire del siglo XVIII, de ritmo moderado, es ideal para estudiantes que se presentan por primera vez a un concurso.

This unaccompanied opus explores the full expressive and technical abilities of advanced players.

The inspiration for this impressionistic work came when Lennie decided to take time off from composing and spent a day at the ocean near Santa Barbara. As he watched waves washing ashore, the sun spar...

The inspiration for this impressionistic work came when Lennie decided to take time off from composing and spent a day at the ocean near Santa Barbara. As he watched waves washing ashore, the sun spar...

Written in ABA form using traditional harmonies and rhythms, this is a satisfying number for young instrumentalists.