Ludwig Music Publishing Company

WILLIAM TELL, la última ópera de Rossini, se estrenó en París en 1829 y sigue considerándose su obra maestra. Este final de la célebre obertura resume la apasionante experiencia de la ópera de Rossini...

This overture, written two days before the fairy-tale opera's 1791 premiere, is among the best known in the classical literature. This version is edited by Steven Rosenhause. Instrumentation: 2.2.2.2:...

This overture, written two days before the fairy-tale opera's 1791 premiere, is among the best known in the classical literature. This version is edited by Steven Rosenhause. Instrumentation: 2.2.2.2:...

Pietro Mascagni (1863-1945) es conocido sobre todo por su ópera corta Cavalleria Rusticana. Estrenada el 17 de mayo de 1890 en el Teatro Costanzi de Roma, cautivó tanto al público que éste pidió vario...

Verdi's music transcends the boundaries of its genre. This excerpt from Aida has become a part of popular culture. It includes a significant number of bowings and fingerings to assist less experienced...

Thom Sharp's creativity shines again in this collection that features hard rock, Latin rock, and even a rock ballad. Players will get a good rhythmic workout with parts written at an advanced intermed...

Performers and audiences alike will love this arrangement of Rock, Rock Merrily on High by Vanessa Fanning. In this delightful piece, each section delivers the melody or counter melody accompanied by...

Six original rags for French horn quartet. Rags: 1. Mere Truffles; 2. Brownie Points; 3. Favoring Curry; 4. Spice Is Nice; 5. Mussel Bound; 6. No Pablano!

Una obra maestra de cuerdas abiertas/primer dedo, esta obra se centra en el ritmo del tango y en estirar ese primer dedo bajo. Armónicamente, hay algunas disonancias encantadoras y chocantes, ¡como en...

Chicken Cha Cha for string orchestra delightfully expresses a day in the life of a chicken, including the creative musical description of running in the coop via dissonant eighth notes. All instrument...

Una obra maestra de cuerdas abiertas/primer dedo, esta obra se centra en el ritmo del tango y en estirar ese primer dedo bajo. Armónicamente, hay algunas disonancias encantadoras y chocantes, ¡como en...

On the inspiration for Midnight (A Slow Mambo), Steven Rosenhaus, the composer writes: "Growing up in New York City, as with any major city, presents a wide variety of opportunities to experience aspe...

This upbeat setting of "God Rest Ye Merry Gentlemen" starts with a funky Latin bass line in the low strings. Fragments of the tune enter with some cool syncopated patterns; some of these patterns come...

Don't get your fingers tangled in the chromatic fingerings! Alternating arco and pizzicato makes things even more interesting (plus some hooked bowings for the fun of it). Everyone gets the melody, wi...

Based upon an early English ballad brought to Appalachia, this is the work you want to program to show off your band's ability to play beautiful melodies and rich harmonies. Rewarding for players at a...

A Welsh ballad, this lovely melody has been set for concert band by Gene Milford in this arrangement called The Sun's Bright Glow. Myfanwy has been called by some "the greatest love song ever written....

Al igual que THREE CHANTS FOR FEMALE CHORUS de Ruth Crawford-Seeger (1901-1953), también escrita en 1930, CHANT, 1930 (para coro mixto SATB y soprano solista, a cappella) utiliza una construcción de s...

Amazing Grace es un himno popular estadounidense de origen británico. Escrito en 1779 por el teólogo John Newton (1725-1807), expresa sus sentimientos personales de salvación que surgieron de su renun...

Esta composición de poemas de Robert Herrick para coro SATB está dedicada a la esposa y a las dos hijas del compositor. Poemas: I. Cómo las violetas se volvieron azules; II. Cómo las caléndulas se vol...

Este arreglo liveley para coro SATB sin acompañamiento de CAMPTOWN RACES de Stephen Foster ha sido completado por Walter Watson.

Cello Methods, Studies from Schroeder, Dotzauer, Kummer, Werner, Popper, Lee; accompanies and complements 10300121 and 10300208.

A collection of etudes that complement the terrific Frances Grant series for cello. It includes works from Schroeder, Dotzauer, Kummer, Werner, Duport, Nolck, Grant, and Lee. Accompanies 10300102.