Ludwig Music Publishing Company

Un emocionante final de concierto, esta obra desafiará a todas las secciones con una amplia gama (cada parte cambia), trabajo de pasajes, trinos y ritmos sincopados. La sección B, un tema de vals líri...

Fantasy worlds full of wizards, spells, and tricksters come alive in this medium easy waltz full of playful twists and turns. Tremolo, glissandi, and sul ponticello are a few of the special sounds you...

These six graceful, peaceful, and energetic original waltzes are the perfect addition to any "potted-palm" gig, whether people are dancing or not. Soaring melodies cascade throughout the ensemble with...

This diverse and unique collection of ragtime selections passes the melodic interest around to all players. All players will enjoy the light-hearted syncopation, wide variety of keys, and challenging...

Esta rápida pieza de swing en sol menor es juguetonamente escurridiza. Con una melodía pegadiza y cantable, esta obra presenta una sección tutti pizzicato, así como algunos momentos melódicos para baj...

Haga un recorrido musical por la Isla Esmeralda. Tres populares melodías irlandesas cobran vida para orquesta de cuerda con melodía en todas las partes. De sedoso-lento a fogoso-rápido, "Tour of Irela...

Carole Neuen-Rabinowitz has selected some of the most memorable tunes from the operatic repertoire in this collection for string trio. Written at an advanced intermediate level, good high school playe...

Super Sleuth is a funky blues in the key of D minor. There's lots of call and response action between sections to keep it interesting. The melody and background ideas are presented in variation form b...

Super Sleuth is a funky blues in the key of D minor. There's lots of call and response action between sections to keep it interesting. The melody and background ideas are presented in variation form b...

This work is unique in that the first movement is for solo trombone and band; the second is for trombone duet and band; and the final movement is for three trombones and band.

SACRAMENTO - SIS JOE is a wiry, spiky combination of two American folk songs, one very well-known, one somewhat obscure. The better known of the two is "Camptown Races," attributed to Stephe...

Werfet Panier auf im Lande (Wave all the Flags in the Country) is attributed to Georg Philipp Telemann and based on Jeremiah's prophecy predicting the destruction of Babylon.

Much of the so-called "a cappella" music of the late 16th and 17th centuries can be enhanced by the addition of instruments to double the voices or substitute for some of them, a practice suggested by...

Written by Gustav Holst (1874-1934) in 1910 for the music students of Morley College, this work for soloists and SATB chorus may be accompanied by keyboard or orchestra. Subtitled "Choral Fantasy on O...

For the band director confronted with unusual instrumentation, this version of WHITE SHADOW is playable by as few as five winds with percussion. Originally written for a band with only 11 members, thi...

One of King's earliest works, THE AVENGER MARCH was likely written when he was only 16 or 17 years old. It has now been arranged for smaller bands or bands with incomplete instrumentation. This flexib...

Based on Under the Spreading Chestnut Tree, this popular title has been re-scored for bands with limited instrumentation. It is playable by as few as five winds, yet still retains the beauty of this f...

Created especially for our series of works with ENSFLEX, this march is the perfect solution for bands of a reduced size. Playable with as few as five wind instruments, the work is a high quality addit...

For the band director confronted with unusual instrumentation, this version of WHITE SHADOW is playable by as few as five winds with percussion. Originally written for a band with only 11 members, thi...

One of King's earliest works, THE AVENGER MARCH was likely written when he was only 16 or 17 years old. It has now been arranged for smaller bands or bands with incomplete instrumentation. This flexib...

Johann Sebastian Bach (1685-1750) composed his MOTET No. 1: SINGET DEM HERRN EIN NEUES LIED (Sing unto the Lord a new song), BWV 225 around 1727, and it was likely performed also in that year. In thre...