Oxford University Press

Written for the Smith Quartet, the title refers to some of the many different meanings of the word 'catch' - fishing, tricks, rounds. The result is a twelve-minute piece played continuously and full o...

Tendrils has been described as a 'masterly display of Skempton's utterly natural art.' It is built out of continuous undulating lines that sustain their effect throughout, the impulse being lyrical an...

Moving On is a single movement work for string quartet. Skempton masterfully combines classical string quartet textures with luxuriant harmonies and a fluid approach to tonality, resulting in an appea...

Moving On is a single movement work for string quartet. Skempton masterfully combines classical string quartet textures with luxuriant harmonies and a fluid approach to tonality, resulting in an appea...

Vaughan Williams's romance for solo violin and orchestra is given new life in this beautiful arrangement. Perfect as a rehearsal tool in preparation for a larger-scale orchestral concert, the arrangem...

This is a version for string quartet of Erkoreka's saxophone quartet, Duduk II. It is the last of the four Duduk pieces which are based on the traditional modes/scales of Armenia.

The work is in one unbroken span that is formed from four linked movements.

Written for the Smith Quartet, the title refers to some of the many different meanings of the word 'catch' - fishing, tricks, rounds. The result is a twelve-minute piece played continuously and full o...

Tendrils has been described as a 'masterly display of Skempton's utterly natural art.' It is built out of continuous undulating lines that sustain their effect throughout, the impulse being lyrical an...

Newly edited edition, off-printed from the Walton Edition vol. 19 'Chamber Music'Performing edition of Walton's String Quartet in A minor, based on the edition published in the Walton Edition Chamber...

Winchester Te Deum is a glorious work with a great sense of ceremony. This important setting is bright and joyful and equally suitable for church and concert performance. It pairs wonderfully in a con...

This single-movement quartet was commissioned by the Cardiff University Quartet on 25 April 1968. It was dedicated to Mathias' colleague and composer Alun Hoddinott and his wife Rhiannon.

Performing edition of Walton's first String Quartet, based on the edition published in the Walton Edition Chamber Music volume. Following the addition of a second movement, the final version of the qu...

For string quartet. This lively piece draws on complex rhythms and dance elements and combines them with lyrical passages reminiscent of the haunting melodies of the Welsh folk tradition. The use of h...

Berkeley's second string quartet uses a free, random presentation of thematic material. There is a sharp contrast between the tight and rhythmic central section and the final passage which dispenses w...

First performed at the 1984 Cheltenham Festival by the Brodsky String Quartet

This is a version for string quartet of Erkoreka's saxophone quartet, Duduk II. It is the last of the four Duduk pieces which are based on the traditional modes/scales of Armenia.

Mathias' third and final quartet was commissioned by the 1986 Harrogate International Festival and premiered there in August that year by the Medici Quartet. It has three movements: the first takes th...

This work is in two parts; each starts and ends with the same musical gestures, but surrounded by other music which results in the identical passages having totally different musical meanings.

The work is in one unbroken span that is formed from four linked movements.

For string quartet. Written for the Smith Quartet, the title refers to some of the many different meanings of the word 'catch' - fishing, tricks, rounds. The result is a twelve-minute piece played con...

For string quartet. Tendrils has been described as a 'masterly display of Skempton's utterly natural art. ' It is built out of continuous undulating lines that sustain their effect throughout, the imp...

A fantasia based on five folk tunes which was first performed by Pablo Casals in 1930. The piano reduction was prepared by John Lenehan from the original score. Score and parts of the version for orch...