Oxford University Press

For SATB choir and congregation, accompanied by brass quintet, with optional timpani and organ.

A version arranged by Brubaker for brass is available for sale.

This enchanting setting of a text by Bishop Timothy Dudley-Smith is a welcome addition to the carol repertoire. With its endearing yet straightforward melody, it has broad appeal and is suitable for c...

This song comes from the Cantata In Windsor Forest, which is based on music from the opera Sir John in Love. It sets a text from The Book of Airs and is celebratory in atmosphere.

Setting Joseph Addison's text, Jackson explores the use of vivid imagery the poem provides through this dramatic medium. Rather than using the full forces of choir, brass and organ throughout, the pie...

The opening verse for solo soprano gives way to an enchanting and imaginative setting of the beloved carol In the bleak mid-winter. Offprinted from Carols for Choirs 6.

This consists of two pieces, played in an order the performer chooses. The number five, closely related to the nature of the zortziko, a Basque dance in 5/8, has been applied to several musical parame...

Spring Rounds is a significant work that is rich in variety and orchestral colours. Jackson has selected texts by a multiplicity of authors, from the seventeenth-century poet Thomas Carew to contempor...

Refuge sets a powerful Sara Teasdale poem that perfectly captures the healing power of singing: 'For with my singing I can make a refuge for my spirit’s sake'. Quartel's musical structure complements...

An exploration of friendship's many facets. The work is in two linked sections; the first exuberant and rhythmically dynamic, the second more lyrical and reflective.

This is a beautiful setting of Psalm 128. Tranquil vocal lines, accompanied by lilting, atmospheric flute and guitar, capture perfectly the optimistic nature of the text. Although the words of this an...

The optional opening section, for which there is a graphic score, is spoken to texts by Henry Wadsworth Longfellow and other esteemed poets and authors. The four sung movements which follow are conven...

A new orchestration by Edward Harper has brought this colourful setting of Coleridge's epic poem back to life after the original orchestra score was destroyed in a bombing raid in 1940. A welcome addi...

This energetic and joyful carol features contrasting dynamics, buoyant rhythms, and changing metres. Offprinted from Carols for Choirs 6.

Andrew Carter's setting matches in its powerful simplicity the text attributed to the French Quaker missionary, Stephen Grellet: 'I expect to pass through this world but once; any good thing therefore...

Setting the George Herbert poem 'Whitsunday', this lilting, gentle anthem is particularly useful for Whit Sunday services. Syncopations and duplets provide rhythmic interest, with memorable melodies,...

This tender movement from the Advent cantata O Come, Emmanuel is in memory of Bullard's teacher, Herbert Howells, with text translated from a traditional German carol Es ist ein Ros entsprugen. Suitab...

Commissioned by King's College, Cambridge for the 2009 Festival of Nine Lessons and Carols, this beautiful carol sets a well-loved text by G. K. Chesterton. It would make an ideal introduction to Jack...

Eurydice is based on a work by the great Scottish artist Ian Hamilton Finlay - a series of six large stones installed in a garden in Provence, set in a sea of lavender (representing water) and inscrib...

This suite from 1925 is one of Vaughan Williams' most enigmatic pieces. The chorus never articulates a single word, and instead serves as a section of the orchestra, creating an elegant vocal texture...

Higgins' setting of this popular folk song is simple and wistful, particularly well-suited for children's and youth choirs. With delicate quaver flourishes, the piano accompaniment flows gently alongs...