Oxford University Press

This lyrical and charming setting of 'Now the Green Blade Riseth' from The Oxford Book of Carols depicts the pastoral images describing Christ's Resurrection with a gentle folksong-like tune and simpl...

This English folksong is a high-spirited, unaccompanied tune, great for a concert setting. Offprinted from Vaughan Williams for Choirs 2.

The popular John Rutter Christmas carol with piano accompaniment. Orchestral scores and parts are also availble on hire, as well as versions for SSAA (W76), and unison voices (U133). Offprinted from t...

A beautifully simple setting of familiar words by Langston Hughes, Bring me all your dreams showcases Harris's effective homophonic writing and rich harmonic palette. It is incredibly atmospheric, wit...

This choral work is among some of the finest of the late Tudor and Elizabethan periods and is here available in scholarly edition with a practical piano reduction.

Written in 2004, Jackson harks back to the time of the Eton Choirbook with this expansive polyphonic Salve Regina, with its intricate and delicate interspersions in English decorating the celebrated L...

Vocal Score. for children's choir, SATB choir, and ensemble (Flute + Picc, Clar + Sop Sax, Viola, Cello, Double Bass, Piano, 2 Perc). A cycle of songs taking their subject from the seven 'themed' floo...

Also available for full orchestra only.. This tender and much-loved work was composed in 1938 in honour of Sir Henry Wood. It was written for 16 soloists and orchestra but may also be sung by four sol...

For SATB soloists, SATB choir, and orchestra. A truly versatile and user-friendly edition - a practical approach for performers, informed by the very highest standard of scholarship. The vocal score p...

For SATB soloists, SATB choir, and orchestra. A truly versatile and user-friendly edition - a practical approach for performers, informed by the very highest standard of scholarship. The vocal score p...

For soloists, SATB chorus, and orchestra or piano. A scholarly performing edition of one of Haydn's most popular works, with a faithful piano reduction that is both clear and playable. The text is in...

A cantata for soprano and baritone soloists, SATB, and large or small orchestra. Drawing upon the Bible, sections from the Mass, and poems by Walt Whitman, this is a powerful evocation of the destruct...

For SATB choir, upper voice choir, piano duet, and optional percussion. This is a vibrant and varied choral cantata in five movements. Together the movements evoke a contemporary impression of London'...

For upper voices, SATB, and piano. The music is shared at first between the upper-voice and mixed choirs before they come together, the one a delicious counter-melody to the other. The music is quite...

For SATB and piano with obbligato for oboe or other melody instrument. An arrangement with straightforward vocal parts and a simple chordal piano part.

Un escenario fácil al estilo rock and roll.

Originally published in Sun, Moon, Sea, and Stars, 'Come back!' sets the composer's own text inspired by a poem from the Seminole tradition. This vibrant piece offers syncopated rhythms, jazzy harmoni...

Originally published in Sun, Moon, Sea, and Stars, 'She walks in beauty' sets the popular poem by Lord Byron. Coloured with chromatic inflections, this light ballad begins with a short, arched phrases...

Originally published in Sun, Moon, Sea, and Stars, 'On a Windy Day' sets a popular text by Anne Bronte. Supported by a simple piano part, the long fluid melodies and changes in intensity allow a huge...

Originally published in Sun, Moon, Sea, and Stars, 'The Sound of the Sea' is an atmospheric setting of Henry Wadsworth Fellow's insightful poem. Long expressive phrases explore sea imagery through wor...

Also available in Carols for Choirs 2 and 100 Carols for Choirs

In new words by Charles Bennett, the story of Good King Wenceslas on the Feast of Stephen is presented as a vivid musical narrative. The well-known carol is interwoven throughout the work, and the mov...

Orchestration: fl, 3hn, hp, str This gentle arrangement of Will L. Thompson's words and melody (1880) is ideal for mixed-voice choirs of all levels of experience. The melody is sympathetically treated...