Oxford University Press

In this unaccompanied setting of Thomas A. Clark's poem, Jackson beautifully conjures up the atmosphere of the onset of nightfall. Featuring a wide range of rhythms, textures, and dynamics, this is a...

Wilberg arranged this familiar hymn for the funeral of US President Gerald Ford. The first two verses are set for unison voices (men on verse one, women on verse two). The final verse is a setting for...

Written to commemorate the 500th anniversary of the death of the Foundress of St John's College, Cambridge, this celebratory setting is jubilant, melodic, and full of lively figuration for both the ch...

Vista is the first in a planned sequence of pieces, all to include piano. The sequence will form a musical reflection or interpretation of aspects of Italian renaissance and baroque gardens, typically...

Sensing was written partly as a 'prelude' to Scriabin's 9th Piano Sonata ('Black Mass'). In tribute to Scriabin the music explores a variety of keyboard 'touch' and 'colour/taste', in terms of harmony...

This is a collection of 36 piano pieces dating from 1995 to 2002. At times enigmatic, at others direct, the writing captures and reflects a myriad of moods, revealing Skempton's highly original voice....

A one movement work in three sections for clarinet, violin, and piano. The title refers to the use of both jazz and boogie slang and twentieth-century 'new music' slang throughout the composition.

A celebration of orchestral strings in three strongly contrasting movements.

This is a setting of two twelfth-century poems where the choral parts flow in a chant-like way, interrupted by ecstatic bursts, sometimes of purely instrumental colour. Both the singer and the audienc...

Blue Third Pieces, for flute or B flat clarinet and guitar is a homage to the interval of the third and its place in the blues.Including references to Ray Charles and using samples from Dizzy Gillespi...

Chilcott's rare gift for crafting the most poignant and beguiling melodies is rarely more apparent than in his setting of this enchanting medieval poem. Also available in versions for solo high voice...

Larsen's fantasia on the familiar hymn-tune boasts richly atmospheric organ writing and is well-suited to weddings or services focussing on fellowship or reconciliation.

Barn Dances is a set of four abstract pieces drawing their titles from the name of a particular dance step used in cowboy dances. Taking the name of the step as a point of departure, Larsen's idea was...

Larsen derives a Joplinesque ragtime theme from one of the most familiar passages from Liszt's Mephisto pieces and builds it into a grand showpiece on the Romantic model for advanced pianists. It buil...

Larsen writes, '. . . I have loosely transcribed bell patterns from a field recording of Russian bells . . . the Communist persecution of the Russian Orthodox Church included the removal and destructi...

Black Birds, Red Hills is inspired by six Georgia O'Keeffe paintings, each exploring the flow of time and colour on her beloved red hills of New Mexico. This reflective portrayal is set in four moveme...

A piece about how auctioneersâ styles, pitches, timing, and complex rhythms merge to become what is their own âbid callâ.

Larsen states that she chose the instruments for Firebrand for their colour, combination and for their agility. However, rather than a nonstop, wildly virtuosic affair that might be suggested from the...

Penta Metrics is a set of five short pieces for intermediate-level pianists. The set is composed so that it can be played as a group of five works, or with pieces performed individually. Each piece is...

Song of Solomon 2:3,4

The tragically early death of Kenneth Leighton robbed cathedral music of one of its most individual voices. This piece is a compositional showcase: textural inventiveness, motivic cunning, and bristli...

A setting of the Archbishop Rowan Williams' text 'Advent Calendar' for choir and organ.

This joyful and vibrant carol will delight youth and adult choirs alike. The strong unison opening, with a pealing bell-like accompaniment, builds to a climactic two-part canon, brilliantly capturing...

Setting text recorded in an early fourteenth-century Cambridge manuscript, this work presents evocative solo passages above sustained notes, and rich multi-layered canon-like passages in the upper voi...

O Be Joyful is a jubilant setting of Psalm 100 from the Book of Common Prayer. Suitable for performances throughout the church year, it features fluctuating time signatures, a lively tempo, and bright...