Oxford University Press

WAM is an investigation of Mozart - it uses hundreds of slightly altered fragments of, or parodies of, his music - and, instead of assembling them as he might if he were composing, allows them to floa...

For hardanger fiddle, either solo or accompanied by reed-organ and/or piano (live or pre-recorded) and instrumental quartet. The piece is a 'cut-up' of passages quoted from, or composed in imitation o...

Suite from existing ballet for 2 cellos and percussion

Five Preludes were commissioned by the International Guitar Festival at Bath Spa University College with the financial assistance of South West Arts and Keller S.A. It has been recorded by Tom Kersten...

Sotto Voce consists of an intriguing interplay of isolated notes for the three instruments, with a good deal of pizzicato in the strings.

Garland demonstrates the composer's typically thoughtful approach to form and melodic material, the title of this work reflecting the circularity of both.

These three pieces serve as companion pieces to Reminiscence (2001) and Beguine (2002). Flight of Fancy takes its cue from Beguine; A Piece of the Action has the pace and character of a relaxed march;...

This is based on the opening bars of the Sarabande from Bach's second cello suite in D minor. 'Par la bande' means 'in a roundabout way' and suggests a circularity of form and a less than direct appro...

The opening movement of this five-movement work features the oboe, being a setting of a solo piece written by the composer in memory of Barbara Hepworth. The second is a lyrical canon for oboe, clarin...

Random Girl is a short, lyrical piece highlighting the melodic aspect of the vibraphone which engages in sinuous dialogue with the oboe.

The words are by Kamala Das who was born in Malabar in 1934 and is one of India's most distinguished poets. The setting evokes the suppleness and richness of Indian music.

In this unaccompanied setting of Thomas A. Clark's poem, Jackson beautifully conjures up the atmosphere of the onset of nightfall. Featuring a wide range of rhythms, textures, and dynamics, this is a...

Wilberg arranged this familiar hymn for the funeral of US President Gerald Ford. The first two verses are set for unison voices (men on verse one, women on verse two). The final verse is a setting for...

Written to commemorate the 500th anniversary of the death of the Foundress of St John's College, Cambridge, this celebratory setting is jubilant, melodic, and full of lively figuration for both the ch...

Vista is the first in a planned sequence of pieces, all to include piano. The sequence will form a musical reflection or interpretation of aspects of Italian renaissance and baroque gardens, typically...

Sensing was written partly as a 'prelude' to Scriabin's 9th Piano Sonata ('Black Mass'). In tribute to Scriabin the music explores a variety of keyboard 'touch' and 'colour/taste', in terms of harmony...

This is a collection of 36 piano pieces dating from 1995 to 2002. At times enigmatic, at others direct, the writing captures and reflects a myriad of moods, revealing Skempton's highly original voice....

Festival hymn with introductory fanfare for SATB, brass ensemble (4 trumpets, 2 trombones or 2 horns, bass trombone and optional tuba), timpani, percussion and organ. An alternative orchestral accompa...

A one movement work in three sections for clarinet, violin, and piano. The title refers to the use of both jazz and boogie slang and twentieth-century 'new music' slang throughout the composition.

A celebration of orchestral strings in three strongly contrasting movements.

This is a setting of two twelfth-century poems where the choral parts flow in a chant-like way, interrupted by ecstatic bursts, sometimes of purely instrumental colour. Both the singer and the audienc...

A setting of specially-written texts by children, the subject matter is the sun, the moon, and the stars. The songs are linked by spoken narration, resulting in a rich and vivid tapestry. Orchestral m...

Blue Third Pieces, for flute or B flat clarinet and guitar is a homage to the interval of the third and its place in the blues.Including references to Ray Charles and using samples from Dizzy Gillespi...

Chilcott's rare gift for crafting the most poignant and beguiling melodies is rarely more apparent than in his setting of this enchanting medieval poem. Also available in versions for solo high voice...

Larsen's fantasia on the familiar hymn-tune boasts richly atmospheric organ writing and is well-suited to weddings or services focussing on fellowship or reconciliation.