Oxford University Press

This a cappella setting of evocative words by E. Pauline Johnson is immediately appealing, with its playful, swinging syncopations and dancing scat accompaniment.

handbells. This compelling a cappella setting of Henry Van Dyke's poem has a continual sense of motion, created by the 7/8 metre and scat singing style that is passed around the parts. A powerful and...

Marie-Claire Saindon's Keeping Time for Joy abounds with the joy of contemporary writer Sarah Windle's text in this uplifting piece. Folk-like scalic melodies, infused with momentum through changing c...

Larsen's take on the famous witches' incantation, 'Double, double, toil and trouble,' from Shakespeare's Macbeth is filled with lurid word-painting and rhythmic tricks.

Setting a fifteenth-century English text containing some short Latin passages, this is a joyful, dance-like carol with a medieval feel. Now may we singen was originally published in the New Horizons c...

From the collection Bob Chilcott Carols 2, 'Still, still, still' is Chilcott's sensitive arrangement of the carol, scored for SATB unaccompanied. Interweaving harmonies and a recurring counter-melody...

TaReKiTa is a refreshing concert piece that effortlessly blends the Indian and Western classical styles.

With a text by John Henry Newman, Lead, kindly Light is a short, moving piece perfectly suited for our current times. Step-like movement in the melody reflects the speaker seeking light in the darknes...

Also in Carols for Choirs 3 and 100 Carols for Choirs.

Also in 100 Carols for Choirs.

This lively reimagining of the traditional hymn is a thrilling a cappella arrangement which pairs the soaring legato melody with a rhythmic vocal accompaniment. Also available in a version for SSA una...

Based on Frances Anne Kemble's poem 'An Entreaty', this enchanting piece describes the experience of leaving a beloved time and place. Lush, expressive harmonies and lyrical melodies create a touching...

This short, eloquent Benediction sets words from St Patrick's Breastplate (5th century). Also available in John Rutter Anthems.

This setting of Phineas Fletcher's text is gentle and flowing, with a lilting, descending motif to characterise the 'slow tears'. Archer offers nuanced dynamics and imitative entries in this simple bu...

TaReKiTa es una refrescante pieza de concierto que mezcla sin esfuerzo los estilos clásico indio y occidental. Los scats del compositor se combinan con un rápido compás triple, deslizamientos vocales...

Introduced by the children's choir, Quartel's simple and uplifting melody repeats throughout the piece, beautifully coloured by the surrounding parts. The voices offer joyful praise and the rich harmo...

This edition offers a significant earlier version of a section of the fourth motet, rescored passages from the fifth, helpful notes on performance, and supporting online materials. Comprehensive and p...

For soprano and tenor soli and unaccompanied mixed chorus.

Parte de la Edición de Aniversario de John Rutter, esta es una composición profundamente hermosa de una de las primeras oraciones inglesas, del Sarum Primer de 1514.

Settings of children's poems and nursery rhymes for unaccompanied SATB (with some divisi)

SATBarB unaccompanied. This setting can be found both in Five Traditional Songs and Folk Songs for Choirs 1. The text is simple, while the arrangement is varied and charming.

Un himno inusual y dramático para coro SATB (con divisiones) sin acompañamiento Los versos en inglés, que comienzan "O sing unto the Lord a new song", están enmarcados por la primera línea en latín "C...

Letra y música de John Rutter. Material orquestal disponible en alquiler.

An easy anthem with words and music by the composer. There are four different versions of the vocal parts - unison (or two-part) with keyboard, upper voices with keyboard, SA and Men with piano, or SA...

Hay dos versiones de las partes vocales - para SATB y piano u orquesta, o SS o SA y piano u orquesta Duración: 3,5 minutos Dificultad: Fácil