Oxford University Press

Setting words by the composer, Swept Away is a beautiful, haunting piece with pop-inspired rhythms and harmonies. The scat syllables of the lower parts are combined with a flowing melody in the sopran...

Setting words by the composer, Swept Away is a beautiful, haunting piece with pop-inspired rhythms and harmonies. The scat syllables of the lower parts are combined with a flowing melody in the sopran...

Enrich your upcoming concert programme with "All This Time", published by the prestigious Oxford University Press. Written for unaccompanied mixed choir (SATB a cappella), this evocative piece captiva...

Setting a text by Elizabeth Barratt Browning, this thoughtful and evocative piece compares a dying relationship with the changing of the seasons from summer to winter, which McGlade skilfully reflects...

The composer writes: 'The piano repertoire abounds with pieces that dazzle the listener with displays of virtuosity. I decided to compose music which allowed the sound of just one note at a time to be...

This much-loved carol is available here in German translation. Orchestral accompaniments are available on sale and on hire/rental.

The 100th Psalm is in modified ternary form and captures the joy and excitement of the familiar psalm. The organ part features a fanfare-like motif that effectively complements the text, and the chora...

For unaccompanied SATB

A beautiful, melodic new slant on the well-loved traditional carol.

The Latin text from the Ordinary of the Mass for mixed voices, brass (4 trumpets, 2 tenor trombones, bass trombone, tuba), percussion, and organ. An accompaniment for symphony orchestra without organ...

Un escenario fácil al estilo rock and roll. Se puede alquilar material orquestal.

Composed for performance at degree ceremonies at the University of Portsmouth, this work captures the joy and excitement of such occasions, partly through the incorporation of a quote from Thomas Rave...

Composed for performance at degree ceremonies at the University of Portsmouth, this work captures the joy and excitement of such occasions, partly through the incorporation of a quote from Thomas Rave...

With 'Celebration for solo organ' from the renowned Oxford University Press, you bring radiant brilliance and captivating energy to the organ console. This expressive piece for solo organ impresses wi...

For SSA (with divisions) unaccompanied - This piece was composed in honour of the centenary of Marconi's first trans-oceanic wireless signal. The theme of the work, sound waves, is evoked through over...

Setting a Native American text, The Song of the Stars is a bright and rhythmic piece scored for double upper-voice choir. Featuring rhythmic ostinatos, imitative effects, and rich harmonies, this is a...

Originally written for SATB, this hymn to the 'Queen of the Heavens' is a glorious work, replete with dramatic changes of mood and texture. The majestic chords of the opening bars quickly give way to...

Morning Light sets an optimistic text by the composer about home and finding your way. Inspired by American folksongs, the captivating melody and warm harmonies perfectly complement the uplifting them...

Off-printed from the complete William Walton Edition, this is one of three versions (the others are for SATB unaccompanied) on a text by Phineas Fletcher - 'Drop, drop slow tears'. The poignant chroma...

For SSAA unaccompanied. This piece was originally published in a version for mixed voices. With lush harmonies, moments of dynamic intensity, and an overriding sense of awe, it would make an ideal cen...

Cecilia McDowall's fresh and appealing style is amply displayed in this cycle, subtitled 'Three Shakespeare Songs'. In total, six Shakespeare texts are used, and McDowall's response encompasses a flee...

For SSAA double choir unaccompanied.

This compelling a cappella setting of Henry Van Dyke's poem has a continual sense of motion, created by the 7/8 metre and scat singing style that is passed around the parts. A powerful and uplifting a...

This a cappella setting of evocative words by E. Pauline Johnson is immediately appealing, with its playful, swinging syncopations and dancing scat accompaniment.

I will be with you sets a reflective text by the composer with a message of enduring solace. Lush harmonies, with predominantly homophonic passagework, coupled with flowing and cascading lines in ever...