Periferia

Gitana for Soprano, Flute, Clarinet, Bassoon, Horn, Percussion, Piano, Violin, Viola, Cello and Contrabass.

De la Randa for Flute, Oboe, Clarinet, Bassoon, Horn, Percussion, Harp, Violin, Viola and Cello. In 'De la Randa,' the only almost conventional thing is the ensemble. It is a work that reflects the co...

Semantemas is written for an atypical duo using neoclassical roots and a Scarlattian clarity. González has composed a score that allows the brilliance of the performers to shine, full of rhythmic and...

Iluminaciones, with illustrations by Julio Mosquera, is a score full of graphic beauty. The music and the drawings integrate into a collection object. At the same time, the sonority of the work flows...

Using the main pieces of La Sonnambula by Bellini, the former clarinettist of La Scala, Luigi Bassi, wrote a duo for two clarinets and piano. Now, Luis Cosme Gonzalez adapts the piano accompaniment to...

This composition was written at the request of the professor of the Saint Petersburg's Conservatory A.V. Kazakov in 2004. In the concert (Allegro-Adagio-Allegro) there is no independent virtuosity of...

'I turned 'non anonymous piece by an anonymous composer' into 'anonymous piece by a non-anonymous composer'. The music reflects ancient mystery, impossibility, and being.'

This work was commissioned by the solo hornist (to whom it is dedicated) and the percussion orchestra 'Percusionistas de Buenos Aires', conducted by Fabian Bermann. It is written in one movement with...

This work was created as part of a Composition Seminar I took in 2004 at the U of C with David Eagle. It was dedicated to Kathryn Ladano, This work has also been interpreted by Harry Spanaay, Fernando...

'This work for bass clarinet solo was written for Harry Sparnaay and dedicated to my friend Jose Luis Garcia del Busto. The title referring to fossils has a particular appeal to me not related to thes...