Robert Lienau Musikverlag

Immerse yourself in the enchanting world of Viennese operetta and classic dance music! With "Strauß für die Jugend 2" from the renowned Robert Lienau Musikverlag, playing the piano becomes a delightfu...

Immerse yourself in the enchanting charm of Viennese musical tradition! The sheet music edition "Strauß für die Jugend" (Strauss for the Youth), published by the renowned Robert Lienau Musikverlag, op...

Experience Gioachino Rossini's world-famous Overture to "William Tell" in a thrilling arrangement for two pianos, eight hands! Packed with drama, virtuosic brilliance, and the iconic gallop, this orch...

Konzert Nr. 2 op. 32

It was Schlesinger, the publisher, predecessor of Robert Lienau, who was among the first to edit some of Fanny Hensel's compositions in her lifetime (op. 4 and 5 among others). The volume presented he...

Although Fanny Hensel (1805-1847) always came second after her brother, Felix Mendelssohn Bartholdy, with regard to the publication of her compositions in her own time, she has recently been given the...

Das Spielbuch bietet eine Auswahl der schönsten Charakterstücke von Richard Krentzlin in einem Reprint-Band, darunter auch Entdeckungen aus dem Archiv. In den reizvollen kurzen Klavierstücken zeigt si...

This collection, based on the original score and published by Antonio Gardane in Venice in 1538, gives us insight into the chanson genre which was at its peak at the beginning of the 16th century. Ink...

Michel Blavet (1700-1768) was a very famous and popular musician in his lifetime. Although he was an autodidact on many instruments, his main instrument was the flute traversière which he played left-...

Michel Blavet (1700-1768) was a very famous and popular musician even in his lifetime. Although he was an autodidact on many instruments, his main instrument was the flute traversière which he played...

Michel Blavet (1700-1768) was a very famous and popular musician even in his lifetime. Although he was an autodidact on many instruments, his main instrument was the flute traversière which he played...

Gastoldi (vers 1550 - 1622) fut sous-diacre, chanteur et maître de chapelle de Sainte Barbara de Mantoue, la chapelle ducale des Gonzague, avant d'exercer de semblable fonctions à Milan. A côté de nom...

Diogenio Bigaglia (approx. 1676-1745) does not only share similar biographical data with Vivaldi (who was two years his junior), but he also came from Venice and was a musician and member of the clerg...

Diogenio Bigaglia (aprox. 1676-1745) no sólo comparte datos biográficos similares con Vivaldi (que era dos años más joven que él), sino que también procedía de Venecia y era músico y miembro del clero...

Una pieza seria y llena de sentimientos profundos. La preferencia por los timbres más oscuros de la viola le confiere un encanto especial.

After the Schumann family moved to Dusseldorf in 1850, Clara Schumann (1819-1896) had a new lease of life in terms of her productivity as a composer. The Three Romances op. 22 for Violin and Pianofort...

Friedrich Metzler (1910-1979) war zurückhaltend und bescheiden, was dazu beitrug, dass seine Werke außerhalb seines künstlerischen Wirkungsraumes Berlin zunächst kaum bekannt waren. Als Komponist setz...

Immerse yourself in the graceful charm of a bygone era: "Musette op. 24", bearing the evocative subtitle "Air du ballet du 17ème siècle", transports both performers and audiences to the melodious eleg...

Immerse yourself in the elegant charm of bygone eras with the enchanting "Musette op. 24" (Air du ballet du 17ème siècle). This characterful work for cello and piano seamlessly blends graceful histori...

This revised edition is based on the original publication by Schlesinger. The pieces are taken from the suite 'Grande Scène espagnole pour violoncelle' accompanied by a string sextet or a string orche...

This revised edition is based on the original publication by Schlesinger. The pieces are taken from the suite 'Grande Scène espagnole pour violoncelle' accompanied by a string sextet or a string orche...

Carl Maria von Weber (1786-1826) schrieb die ursprüngliche Version des Andante e Rondo ungarese im Jahre 1809 für seinen Bruder Fritz, einem Bratschisten. Die Bearbeitung für Fagott erfolgte im Jahr 1...