Schott Musik

Partitur = Solostimme

Um 1780 wurden die 'Six Trio pour une Flute, un Alto et un Violoncelle' in drei Stimmheften bei Berault in Paris gestochen. Diese dienten dem Neudruck als Vorlage. Die Partitur gibt Dynamik und Artiku...

Partitur = Cembalo/Orgel - Oboe (Violine), Streicher und Basso continuo (Cembalo/Orgel); Violoncello (Viola da gamba) ad lib.

Streicher und Basso continuo (Cembalo, Klavier), Violoncello (Viola da gamba) ad lib.

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...

The famous concerto for three violins, viola, violoncello and bass is published in this practical edition with bowing indications and fin-gerings. Its peculiarity results from the characteristic title...

This work of the composer and theatre music director from Berlin, probably created at the end of the 18th century, consists of three movements and bears the characteristic features of the Berlin Schoo...

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

This edition contains vigorous dance tunes with illustrative titles such as 'Les Noces', 'La Coquette' or 'Le Tambourin de la folie'. With -simple technique, they have been made into four- or five-mov...

This concerto was copied from a manuscript of Christoph Graupner. The six solo instruments play in pairs in an al-fresco style with a beautiful sound.

Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...

Partitur = Cembalo/Klavier

Stimmensatz - 5 Violinen I, 5 Violinen II, 3 Violen, 5 Violoncelli/Kontrabässe - 2 Violinen, Violoncello obl., Streicher und Basso continuo