Schott Musik

David Popper (1843-1913), a pupil of Julius Goltermann, was not only a much-travelled and successful concert cellist. Like many of his virtuoso fellow musicians, he left a number of compositions for h...

The composer Johanna Senfter (1879-1961) from Oppenheim studied composition with Max Reger in Leipzig. Her expressive style is characterised by polyphonic settings and late-Romantic harmony. Sonate fü...

To write new music for music lessons is the special concern of the composer Barbara Heller. This cycle was created in collaboration with two cello teachers. It consists of 7 pieces in common notation...

Deep Slavic emotions and gripping virtuosity - that's what characterizes many compositions by Rodion Shchedrin. Even if he has been a cosmopolitan for a long time, the Moscow-born composer nevertheles...

Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporar...

Apart from the famous Rococo Variations, Pyotr I. Tchaikovsky composed another work for solo violoncello: Pezzo capriccioso, Opus 62. It is dedicated to Brandoukoff (Brandukov) with whom he had perfor...

The popularity of his (first) violin concerto drove Max Bruch not just almost to despair - 'I cannot listen to this concerto any more', he wrote to his publisher - it also got in the way of the compos...

'New forms, well-chosen modulations, strange timbres, the use of wholly unexpected rhythms', this is how Camille Saint-Saëns praised the first work of a young colleague, the First Violin Sonata by Gab...

'New forms, well-chosen modulations, strange timbres, the use of wholly unexpected rhythms', this is how Camille Saint-Saëns praised the first work of a young colleague, the First Violin Sonata by Gab...

The content and formal structure of the two-movement Poem have been subjectively borrowed from the poem Steps [Stufen] by Hermann Hesse. The frequently appearing short motifs in both parts of the work...

The combination of musical melancholy and instrumental virtuosity captivates both players and audience alike. 'Flamenco' comes from the Suite espagnole No. 1 by the rather unknown Spanish composer Rog...

Apart from his 'classic', the First Concerto, Camille Saint-Saëns composed other works for the violoncello, such as his 'Suite' Op. 16. Written in 1862, the work lives on the composer's examination of...

Joseph Reinagle (1762-1825), pupil of the well-known cellist Johann Georg Schetky, was a versatile musician and composer. In 1800 he published 'A Concise Introduction to the Playing of the Violoncello...

When writing his Concerto No. 1 in A minor, Op. 33, Camille Saint-Saëns created a 'classic' of violoncello literature. But the French musician even wrote other solo works for this instrument: a second...