Southern Music Company

I. El Majo Timido, II. Berceuse, III. La Maja Dolorosa, IV. La Maja de Goya

This pleasant andantino is 6/8 is a fine concert or recital piece for an early to intermediate player. Versions for flute and oboe (arranged by James Prodan) and clarinet and tenor sax (arranged by Da...

Orchestrated by Thom Ritter George, Chaminade's famous Concertino Op. 107 is available for both concerts and recitals, with a piano version also available from the publisher. (1987) ca. 8'

This work was commissioned by flutist Tony Watson, who suggested a piece somehow related to water and even provided a long list of water tunes (ballads, sea chanties and others) which could serve as a...

The 1st movement contains two main themes, one short stated at the opening while the 2nd is more lyrical. The 2nd movement is slow with a rising motif 1st introduced by the piano. The last movement ha...

The title literally means 'stolen sonata', a reference to numerous quotes that occur along the way. Some were intentional, some were discovered after the fact, but all are a tribute to music and music...

Sir James Galway became acquainted with this short but brilliant encore of Reichert's while visiting Albert K. Cooper at his home in south London. This new exclusive edition presents the work as perfo...

Adapted and based on themes from the Ambroise Thomas opera Mignon, this Paul Taffanel work is a firmly established part of the modern flute repertoire. This new Southern publication features Sir James...

Giulio Briccialdi (1818-1881) was born in Terni, Italy in the Papal States and studied flute with his father until the age of 14. Following the passing of his father, Briccialdi moved to Rome, where h...

PAUL WETZGER (1870-1937) was a German flutist composer born in Dahme, near Lübeck. At a young age, he took violin lessons from the local music director, later switching to flute. By 15 years of age, W...

Emil Titl's Serenade was originally composed for flute and horn with orchestra or piano accompaniment. With a lilting Bel Canto style in 12/8, its lyric melody features passages of filigree work that...

Composed originally for flute and alto flute duo with chamber orchestra, this tuneful and songlike piece was later arranged by the composer for various duo and solo combinations with both orchestra an...

As the title suggests, chromaticism and syncopated rhythms abounds in this rag for flute and piano.

Michael Horvit (b. 1932) studied composition at Yale, Harvard, and Boston Universities, and his teachers include Aaron Copland, Lukas Foss, Walter Piston, Quincy Porter, and Gardner Read. This suite i...

These etudes were composed by Henri Adrien Louis Kling to assist in the mastery of French Horn playing. Noted horn player, teacher and designer, Lorenzo Sansone has assembled this collection to help t...

This collection of studies for the French Horn was created by two of the finest virtuoso horn players of all time: Max Pottag, Chicago Symphony Orhcestra and Albert Andraud, Cincinnati Symphony Orches...

A compilation of original tunes composed by jazz hornists edited by Thomas Bacon.