University Of York Music Press

For Orchestra (Double Winds)

For Sinfonietta. First performance: 19th November 1994, Huddersfield Contemporary Music Festival, New Music Players conducted by Paul Hoskins.

Mala punica by James Weeks was commissioned by the New London Chamber Choir and Spitalfields Music, and first performed by the New London Chamber Choir and the London Sinfonietta, conducted by the com...

Orlando Tenebrae by James Weeks includes: Latin motets/texts by Adonis (from 'The Desert'), 'Love' by Visar Zhiti, 'The True Prison' (by permission of Ayebia Publishing Ltd), 'The Agreement' by Dinyar...

Radical Road has been expertly composed by James Weeks for 30 singers or more with stones.

Thomas Simaku's The Rose Of The World for Soprano, SATB choir and Chamber Ensemble (9 players). A setting of the W. B. Yeats poem of the same name. Composed 2014-5. Published 2015. Instrumentation: So...

For Orchestra (triple winds). Published 2004. Commissioned by Suntory Music Foundation, Tokyo. First performance: Jo Kondo Portrait Concert, Suntory Hall, Tokyo, Japan, 7th October 2004, Tokyo Metropo...

Summer Light for solo guitar (2012) is in three short contrasting movements. There are references to plainchant in the first piece. The final piece is a toccata in which a flexible approach to tempo i...

Jo Kondo's In Autumn for 13-stringed Koto (So) and 17-stringed Koto (Jushichigen). Commissioned and written for Kazue Sawai, this work was composed and published 2014.

For TrTrATB choir. Published in 2010. First performed by Choir of Christ Church Cathedral, Oxford, conducted by Stephen Darlington, 21st May, 2011. Vocal Score.

For 8 part chamber choir. Published in 1985. Text from a Scottish Border Ballad. Commissioned by The Song Company. First performance with conductor Charles Colman, Sydney 1985. Conducting Score.

Robert Saxton's The Dialogue Of Zion And God for eight solo voices (2 Sopranos, 1 Alto, 1 Countertenor, 2 Tenors and 2 Bass). Commissioned by The Clerks' Group with funds from the Jerwood Foundation....

Thomas Simaku's Three Albanian Folk Songs for two Sopranos and Alto. This piece was published in 2001 and was written for the Norwegian Mediaeval Trio. The first performance took place at Birmingham E...

Vocal Score for Mezzo-Soprano and Female Chorus

Commissioned by Elms Concerts and Singcircle. First performance: conducted by Gregory Rose, Huddersfield Festival, 1982.

For SATB Choir. Published in 1984. Commissioned by the Choir of St James's, Piccadilly. First performed by the Choir of St James's, PIccadilly on 11th May 1984, conducted by Harry Bickett. Choral...

For two Sopranos and Alto. Published in 2001. Written for the Norwegian Mediaeval Trio. First performance at Birmingham Early Music Festival, 10th November 2001. Conducting Score.

For two Sopranos and Alto voice. First performance: Juice vocal ensemble, April 2003. Conducting score.

For Mixed Chorus. Published in 1970. Revised version. Choral Score.

For mixed chorus and Cello. Published in 1979. Texts: Yeats. First performance: The Ionian Singers, conducted by James Wood, 14th April 1988. Score.

Published 2003. A3 folded. Texts: Rilke and Shelley (all in English). Commissioned by York Vocal Index. First performance: York Vocal Index, directed by John Potter, Sir Jack Lyons Concert Hall, Y...

For SATB (with Divisi). Vocal Part.

Alternative version for Soprano, Mezzo Soprano and Alto, also sound effects - a car horn, a slammable door, destructible crockery and a burstable balloon. Three movements, based on poems by Hilaire B...

For Soprano, Mezzo Soprano and Alto. Words by Heinrich Hoffman.

Text from a Scottish Border Ballad.