University Of York Music Press

Seven Shrinking Machines by Ben Gaunt was written for Icasrus Ensemble as part of the European Composers' Professional Development Programme 2012. Seven Shrinking Machines had its world première at Sp...

For organ and pre-recorded organ. Published 2005 Commissioned by Kevin Bowyer. Score.

Curlew in the mist by David Lumsdaine. 8'; for solo Shakuhachi. Commissioned by Tall Poppies. First performance: Riley Lee, Sydney 1994.

For 8 clarinets. Published in 1970 and first performed at the MacNaughten Concerts, ICA, London, 1970.

For 18 Wind Instruments. Published in 1994, and revised with a new movement in 2011. Movement 1, commissioned by the Halle Concerts Society, was first performed by Halle Orchestra wind, directed by...

For solo Organ. First published in 1998. Commssioned by Lester Hillman, and first performed by Max Peppenheim, St. Catherine's College, Cambridge, 25th September, 1998.

For Soprano Saxophone, Alto Saxophone, Trumpet, Trombone, Percussion, and Electric Keyboard. Published in 1992. First performed by the Mercury Ensemble, Roger Heaton, conductor, Royalty Theatre, Lon...

For Bass Clarinet, 3 Cellos, and Tape. First performed by Roger Heaton, Sophie Harris, Ruth Phillips, Sarah Butcher, Nottingham Playhouse, 1993. Published 1993. Score.

For Orchestra (Triple Winds). Published 1998. Commissioned by South Bank Centre, London. First performance: London (Takemitsu Festival), 1998 Philharmonia Orchestra, Stefan Ashbury (cond).

For chamber or small orchestra. Published 1979 Commissioned by Festival Nieuwe Muziek, Middelburg, the Netherlands. First performance: Chamber Version: Middelburg (Nieuwe Muziek), 1979, Xenakis Ensem...

Published 1991 Commissioned by Elisabeth Summer Course for Clarinet. First performance: Hiroshima, 1991, Michel Arrignon, Tadayoshi Takeda, et al.

2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns

10'; for Banjo, 2 Guitars, Harp, Taisho-Koto, Harmonica First performance: Tokyo, 1974, Norio Sato (banjo), Ayako Shinozaki (hrp), et al.

Commissioned by Kamakura Arts Foundation (Japan). First performance: Kamakura, 1996, Norio Sato (cond), Kamakura Solisten.

For Oboe, Viola and mixed ensemble (Oboe, Viola/Flute, Clarinet, Bassoon, Horn, Trumpet, Trombone, Piano, Percussion, 2 Violins, Cello, Double Bass) Commissioned by London Sinfonietta. First performan...

For Flute and Ensemble (Flute, Oboe, Clarinet, Bassoon, Horn, Trumpet, Trombone, Percussion, 2 Violin, Viola, Cello, Double Bass Commissioned by Ensemble 2E2M, Paris. First performance: Paris, 1991, P...

For Oboe and String quartet. Published 1984. Commissioned by James Ostryniec. First performance: Tokyo (Interlink Festival), 1984, James Ostryniec (oboe), New Arts String Quartet.

For Oboe and String quartet. Published 1984. Commissioned by James Ostryniec. First performance: Tokyo (Interlink Festival), 1984, James Ostryniec (oboe), New Arts String Quartet.

For any two melody instruments of the same kind. Published 1973. Commissioned by Ayako Shinozaki. First performance: Tokyo, 1973, Ayako Shinozaki (solo ensemble using pre-recorded tape).

Published in 2002. First performed at the Goldberg Contemporary Festival, Manchester, by The Goldberg Ensemble, 16th January 2002. Score.

For Chamber Ensemble. Published 2003. Alto Flute, Clarinet (or Bass Clarinet) Piano, Percussion, Violin, and Cello. First performed by the Concorde Ensemble, Dublin, 7th March 2004. Parts.

8 (or 16) C Flutes, 2 (or 4) Alto Flutes, 2 (or 4) Bass Flutes. First performance: Paris, 2004, Orchestre des Flutes Français.