Walrus Music Publishing

Blues with a bridge featuring tenor and trumpet on challenging head. Not your standard blues changes and bridge is all iiV's, so the soloists will be busy! 10 brass.

Happy med. tempo shuffle with numerous solos, sax soli and a cappella brass. 10 brass.

A two bone feature in the JJ Johnson/Kai Winding tradition. Tempo is medium bop and all parts except the feature parts are super playable. Bone soloists do have to be pretty strong. (Solo parts, med.-...

Challenging up-tempo melodic line with solos for alto and trumpet. A cappella ensemble writing and a challenging shout chorus.

An updated version of WC Handy's classic. Solos for tenor, trombone and piano. A somewhat riotous sax soli. This one roars!

Medium tempo roaring funk that is a real crowd pleaser and a favorite for use at festivals.

Another update of a classic of the jazz literature. A 'Steve Gadd-ish' fusion/march cadence plays under an ethereal opening featuring wdwd dbl. and muted brass. Solos for alto or clarinet, trumpet & p...

Whipple is back and he's dark! Medium tempo funk with a bridge that is in 3/4. Solos: tenor and guitar.

Ethereal opening leads into frantic 13/8 rock. Double-x minor blues solo for tenor and 13/8 rock solo for trumpet. Doubles. Optional percussion part really adds to this one.

High powered chart. A real showcase for the band that can handle the more progressive jazz styles. Solos on alto (soprano) trumpet and drums. Some sax doubles.

Medium Latin '2 feel!' Features solo for alto sax. Excellent arrangement of Horace Silvers' classic tune. Good ensemble work. Doubles.

Up-tempo waltz with a '2 against 3' feel. This chart makes use of a Varity of unusual colors and textures. Features 'free' alto solo. Doubles.

Medium up Latin '2 feel.' Solos for trombone, trumpet, tenor and guitar. Doubles.

Finally a baritone sax feature! This piece moves back and forth from a mysterioso 12/8 to a medium groove 4/4. The solo section is open for baritone and optionally guitar. It comes with an optional se...

This beautiful ballad waltz was recorded by Ernie Watts on his quartet CD 'Unity'. It features either tenor or soprano sax. There is an optional section tenor part in the event that you have a soloist...

High energy jazz samba! This chart is definitely for an ambitious soloist(s). Comp by Ernie Watts. The tune is played by tenor sax and trombone. There is a short but difficult sax soli. Recorded by th...

A harmonic stretch of the blues with a Coltrane type sound. Theme features tenor sax, bass clarinet (on baritone part) and female voice(optional). Extended solo for tenor and piano.

Foot-stompin' shuffle. Great vehicle for trumpet and baritone sax solos. Plenty of ensemble playing!

This chart offers challenging ensemble playing as well as solo opportunities for tenor sax and guitar. Solo tenor sax doubles soprano sax. Can be used with 5 or 6 saxes. Trpt to high OFO. Comp by Bob...

Medium fast Bop Style original by Ernie Watts, recorded on his CD 'the long road home.' This arrangement utilizes lines throughout the ensemble as well as an exciting shout chorus. It features solos f...

Numerous colors throughout the ensemble paint the backdrop for this beautiful 6/8 ballad feature for tenor sax. The tune, originally recorded by Ernie Watts on his CD Othe long road home,O is very acc...

A medium jazz waltz with a Spanish flavor, it features flugelhorn and tenor sax which can be played by soloists in addition to the ensemble or as part of the standard instrumentation. The time moves b...

This contemporary latin-funk piece is a marvelous feature for electric bass. A quiet, rather haunting theme is played by soprano sax (opt. alto) and high-register bass, and solos for bass and/or sopra...

A conversation in a contemporary jazz style for tuba and jazz ensemble. It can also be performed by bass trombone within the band. It features numerous colors and unusual lines throughout the ensemble...

This sassy number offers a barrelhouse background to the featured plunger tenor trombone, which cavorts from optional low pedals up to high B. Each horn section gets a brief soli, and the ensemble whi...