Parituras para conjuntos

. . . a marvellous essay in the poetics of atonality - tender, subtly interweaving strains of thought. . . Peter Stadlen, Daily Telegraph. This quartet was commissioned by The Nash Ensemble and was gi...

My Second Oboe Quartet was promised to the Berlin Oboe Quartet after a performance which they gave of my first quartet in January 1988. Composed in the autumn of 1989, the work is, like the earlier qu...

Concelebration is a ritualistic work in which the four melodic instruments go their own ways and yet from time to time meet and ‘dance’ together. A starting point was Bishop John of Winchester’s fine...

Commissioned by The Nash Ensemble with funds provided by IBM. In Buddhist writings the lotus, padma, signifies the world of form in all its individuality through which the light of reality shines. A l...

Instrumentation: ob.ob(=ca).bsn – harpsichord This is a parody of Stravinsky's parody of classical styles. Schoenberg's mockingly scornful parody of Stravinsky as "Der Kleiner Modernsky" serves as a p...

Instrumentation: ob.ob(=ca).bsn – harpsichord This is a parody of Stravinsky's parody of classical styles. Schoenberg's mockingly scornful parody of Stravinsky as "Der Kleiner Modernsky" serves as a p...

Instrumentation: 1.1.0.bcl.1 - 1000 - pno - vln.vla.vlc.db Written for Speculum Musicae at the request of Oliver Knussen. L, bent… is a short, fast piece written to celebrate my brother David’s 50th b...

Instrumentation: 1(=afl+picc).1(=ca).1(=bcl).1(=cbsn) - 1110 - perc(1): BD(with foot ped)/hi-hat/4 tom-t/3 tam-t - pno - 2 vln.vla.vlc.db Contraflow might be compared to a journey in which the return...

Instrumentation: fl(=picc).ob(=ca).cl(=bcl).bsn - pno My initial ideas for this piece were more obviously connected with colours than is the finished work, which consists of an abstract series of vari...

Instrumentation: fl - perc(1): vib/mar/glsp - harp - vla

My Clarinet Quartet, which I wrote in the early months of 1984, is in two sharply contrasted movements. The first, a theme and variations, begins by alternating allegretto sections, which are dominate...

In October 1986, when I was in Czechoslovakia, I visited the town of Kromeriz to see again Titian’s great painting The Flaying of Marsyas, which I had seen in London exhibition in 1983. It is a horrif...

In October 1986, when I was in Czechoslovakia, I visited the town of Kromeriz to see again Titian’s great painting The Flaying of Marsyas, which I had seen in London exhibition in 1983. It is a horrif...