Parituras para conjuntos

Soli STB, Coro SATB, 2 Vl, Va, Vc/Cb, Bc, [2 Ob]

Soli STB, Coro SATB, 2 Vl, Va, Vc/Cb, Bc, [2 Ob]

Soli STB, Coro SATB, 2 Vl, Va, Vc/Cb, Bc, [2 Ob]

Soli STB, Coro SATB, 2 Vl, Va, Vc/Cb, Bc, [2 Ob]

Rejoicing silently and in a subdued manner, 'Missa paschalis', with its lyric melody and pleasantly austere sonority, tells of the topic of every celebration of Mass: of the hope of resurrection.Thank...

Rejoicing silently and in a subdued manner, 'Missa paschalis', with its lyric melody and pleasantly austere sonority, tells of the topic of every celebration of Mass: of the hope of resurrection.Thank...

Rejoicing silently and in a subdued manner, 'Missa paschalis', with its lyric melody and pleasantly austere sonority, tells of the topic of every celebration of Mass: of the hope of resurrection.Thank...

Rejoicing silently and in a subdued manner, 'Missa paschalis', with its lyric melody and pleasantly austere sonority, tells of the topic of every celebration of Mass: of the hope of resurrection.Thank...

Nur wenige von Ignaz Pleyels Kompositionen - die zu seinen Lebzeiten höchst beliebt waren - sind heute so präsent wie die Violinduos op. 8: Diese gehören zum Standardrepertoire im Violinunterricht. Mi...

entschlackt [Piece in Two Parts] resulted from an attempt to write music that is clear, precise and concentrated without being superficially 'simple'. The 'purged' or 'cleansed' character of the piece...

Der Mythos um die Nymphe Dafne war im 17. Jahrhundert der erste Opernstoff der Musikgeschichte. Der junge Komponist Benjamin Schweitzer hat ihn 2005 nach dem Libretto des Barockdichters Martin Opitz n...

An Zimmern was initially planned to be part of a cycle of Hölderlin settings. Hölderlin's late lyrics offer a certain riveness between equation, lunatic bursts and a dissociated smoothness. This 'rive...

The acerbic and bizarre opulence of Baroque lyrical poetry sets the tone for vergehn wie Rauch (vanish like smoke). The interlinked themes running through the poems, expressed with similar linguistic...

Solostimmensatz - gemischter Chor (SSAATTBB), Trompete in B, Horn in F, Posaune und Tuba

Singstimme, Klavier, Horn, Cello; Partitur, Stimme(n). Format: 2 x 12 S. Part. + 4 S. Stimmen - 29,7 x 21 cm.

Oboe, Violine, Violoncello, Klavier - Spielpartitur

Ensemble wie angegeben, 8 oder mehr beliebige Instrumente, Kammerorchester, großes Orchester, gemischter Chor (SATB) mit beliebigen Texten, Chor und Orchester. Für Aufführungen ist die Studienpartitur...