Parituras para conjuntos

This collection consists mainly of unknown dance movements from northern, western and southern Europe, intermingled with original movements by Richard Zettler and written for small groups of players....

This collection consists mainly of unknown dance movements from northern, western and southern Europe, intermingled with original movements by Richard Zettler and written for small groups of players....

This collection of evergreen soul classics is suitable for almost any combination of brass and/or woodwind instruments.

Dizzy Stratford's Easy Pop Suite is an easy and entertaining work, characterised by a particular mood and by the use of different rhythmic elements. As the title of this movement suggests, this part i...

This famous Farandole is from the Suite for Orchestra No. 2 , published in 1879, four years after the death of Bizet. Bizet drew his inspiration for Farandole whilst soaking up the sun and traditions...

Let your musicians experience a day at the farm with this great new piece by Jacob de Haan. Part 1 Fl Ob Bb/Eb Clar S Sax Tpt Part 2 Fl Cor Ang Bb Clar Eb Clar A Sax Tpt Hn Part 3 Bb Clar Eb Clar T Sa...

This simple Italian overture, scored for a variable four-part instrumentation, is based on the well-known Neapolitan folksong Santa Lucia. Part 1 Fl Ob Kl B/Es S-Sax A-Sax Trp Part 2 Fl Cor Ang Kl B A...

El Matador' is composed in the style of a Spanish paso doble. In this dance, the man plays the role of a matador, and the woman is, literally, a red rag to a bull! This work is written for a four-part...

Inhalt: Starter's hymn - Vivaldi's garden party - Lonesome cowboy - Bells of harmony - Pulse of time - English farewell - Hunter's yarn - Dreamland - New year's waltz - Good news - Rocking power, dies...

Hacer música juntos es muy divertido y agradable. Pero no siempre tienen que ser obras grandes y largas. Los pequeños bocados musicales tienen un gran impacto. Este es el concepto básico de estas piez...

For Flute, Bb Clarinet, Horn, Bassoon

Vierstimmige Stücke für das Zusammenspiel in variabler Bläserbesetzung

Schönberg sagte über Zemlinsky, dass seine Zeit kommen werde, und hat Recht behalten. Spätestens seit der Retrospektive im Rahmen des Musikprotokolls des Steirischen Herbstes 1974 spricht man wieder ü...