Parituras para conjuntos

Dvorák composed his Terzetto op. 74 in 1887 as the result of a spontaneous desire to write some domestic music. Inspired by neighbourhood violin lessons, he wrote these four little movements for two v...

Alexander Zemlinsky's music was long unjustly overshadowed by what was regarded as the 'more progressive' Second Viennese School. Although Zemlinsky was close friends with its protagonist Arnold Schön...

Although Dvorak's stay in America (1892-95) was very successful, the composer suffered a good deal from homesickness. He had begun the string quartet in A flat major in New York, but continued with it...

Composed in autumn of 1881, Opus 61 is the last of Dvořák's 'middle' quartets by chronology for which Beethoven and Schubert served as the most significant models. Beethoven's influence, from thematic...

Los seis cuartetos de cuerda de Béla Bartók, compuestos entre 1908 y 1940, son hitos del género en el siglo XX. Su Primer Cuarteto de Cuerda está estrechamente vinculado a su desdichado amor por la vi...

El Segundo Cuarteto de cuerda de Bartók fue compuesto -con varias interrupciones largas- entre 1915 y 1918, después de que hubiera pasado varios años dedicado casi exclusivamente a recopilar música fo...

El Cuarteto de cuerda nº 3 es el más breve de los seis cuartetos de Béla Bartók, y también fue compuesto en un tiempo extraordinariamente corto. Escribió la partitura en septiembre de 1927, y en dicie...

Incluso antes de que su Cuarteto de cuerda nº 3 apareciera impreso en 1929, Bartók ya estaba trabajando en un cuarto en el verano de 1928. Esta obra de cinco movimientos está dispuesta simétricamente...

El más largo y a la vez complejo de los seis cuartetos de cuerda de Bartók fue compuesto en el verano de 1934 como un encargo bien remunerado para la renombrada Fundación Elisabeth Sprague Coolidge de...

Bartók comenzó a trabajar en su Sexto Cuarteto de cuerda en el verano de 1939 como invitado de Paul Sacher en el idílico pueblo de montaña suizo de Saanen, antes de que el inminente estallido de la gu...

In setting Richard Dehmel's poem 'Verklärte Nacht' (Transfigured Night) in his op. 4, the young Arnold Schönberg pursued the intention, as he himself said, of 'attempting those new forms in chamber mu...

The music world associates Verdi's name so obviously with his operatic output that his contributions to other genres can easily be overlooked. His only chamber work owes its existence to an enforced b...

The Weinzierl castle in Lower Austria, which still stands today, can be considered to be the birthplace of a chamber music genre, which is firmly established in our present-day repertoire. The young H...

Six works belong to opus 9 - the first group of Haydn's string quartets of which we know. The composer also went new ways as far as form was concerned: whereas he had still adhered to the five movemen...

The autograph score of the Quartets op. 17 was in the possession of the imperial police chief Johann Nepomuk Neuwirth, whose widow gave it to the Wiener Gesellschaft der Musikfreunde in 1875. It is sa...

The volume opens with something unusual: opus 42 is a single work, short and surprisingly easy to play; Haydn described it as 'something small and with only 3 pieces'. The Quartets op. 50, including t...

The chamber music world has been eagerly awaiting this - all of Haydn's string quartets are finally available in Henle Urtext quality! The last edition to be finished contains the String Quartets op....

The quartets were dedicated to the violinist Johann Tost, who was the second principal violinist at the Esterházy court during the 1780s. His business sense led him to sell twelve quartets - opus 64 w...

Haydn dedicated the series of Quartets op. 71 and 74 to the Hungarian Count Apponyi, a Viennese patron of music and a freemason friend. Haydn composed them when he was enjoying a great deal of success...

The title 'Solo per il Violino' which Haydn gave these sonatas in his 'Entwurf-Katalog' (the handwritten catalogue he maintained of his own works), already gives us an indication: it is only the violi...

The five string quartets in this volume are generally designated as Beethoven's 'middle quartets,' even though stylistically they do not all build a closed unit. More than three years lie between the...

Brahms had already composed over 20 string quartets (he confessed to a friend that he had burnt all of that 'stuff') before he finally presented his Opus 51 to the public. In the end only three surviv...

Wissenschaftliche Gesamtausgabe, Critical Report, Division VI, Volume 2, paperback

Joseph Haydn composed twenty-one string trios for two violins and violoncello, of which three have been lost. These chamber music gems, which do not turn up very often on concert programs, are full of...

Joseph Haydn composed twenty-one string trios for two violins and violoncello, of which three have been lost. These chamber music gems, which do not turn up very often on concert programs, are full of...