Parituras para conjuntos

2 Violins, 1 Viola, 1 Cello, 1 Contrabass

Instruments: 1 Violin 1 Cello - Difficuly Level: Grade 3 - Duration: 2 mn 45 s - Musical Style: Classical - Category: Arrangement - Composer: François COUPERIN - Arranger: Eric VIRETON

The Nonet for Wind Quintet and Strings in E flat major op. 38 was completed by Louise Farrenc on the 2nd of february in 1849. After a private performance in the Salons of Madam Pierson-Bodin in Decemb...

Das Streichtrio wurde im Sommer 2019 komponiert und war ein Auftragswerk des Sanary sur Mer Festivals. Es ist der Bratschistin Françoise Gnéri gewidmet. Mit einer Dauer von 12 mn 30 besteht es aus dre...

Das Quintett für Streichquartett und Klavier op. 94 wurde vom Solisten der Oper Rouen, dem Cellisten Florent Audibert, in Auftrag gegeben. Die Arbeit ist ihm gewidmet. Es besteht aus drei Sätzen und h...

The undated String Quintet No. 2 in D Major is said to have been performed in Emilie Mayers home in 1854. As one of Mayers concerns was always to present her new works, this information also provides...

Die Handschrift ist gut lesbar und äußerst sorgfältig erstellt; sie weist verschiedentlich Anmerkungen oder Korrekturen von fremder Hand auf, etwa Eintragungen von Fingersätzen, die darauf schließen l...

La Guerres Violinsonaten gehören zu den ersten französischen Werken dieser Gattung. Sie zeigen Charakte­ristisches für den Sonatenstil der Komponistin: eine Vielzahl von Sätzen (bis zu 8 Sätze) unters...

für Violine und Viola nach KV 487 für zwei Hörner - for Violin and Viola after K. 487 for two Horns. Violine, Viola - Spielpartitur

Trios in Es-dur und B-dur. (1. Stimme jeweils für Viola und Violine beigegeben) Viola 1/ Violine, Viola 2, Violoncello/ Kontrabass - Stimmensatz

When Dvořák suddenly became internationally famous in 1878 with his Slavonic Dances, he received, among other things, a request for a new string quartet from Jean Becker, the first violinist of the re...

In autumn 1895, after returning from New York once and for all, Dvorák took up his former position as teacher at the Prague Conservatory. This clearly had an inspiring impact on him because in the spa...

This volume brings together Mozart's youthful attempts at this later so central genre of the string quartet: the astonishing 'Lodi Quartet' K. 80 by the only fourteen-year-old composer, the three 'Qua...

Redolent of the work of Dmitri Shostakovich in its musical language, Evgeny Kissin's String Quartet op. 3 comprises four strongly contrasting movements: on the heels of the stately 'Adagio liberamente...

In 1919-20 George Gershwin was making a name for himself with Broadway songs and a first show of his own in New York. But he was already attracted to the world of classical music - a world he would en...

Dvorák composed his Terzetto op. 74 in 1887 as the result of a spontaneous desire to write some domestic music. Inspired by neighbourhood violin lessons, he wrote these four little movements for two v...

Alexander Zemlinsky's music was long unjustly overshadowed by what was regarded as the 'more progressive' Second Viennese School. Although Zemlinsky was close friends with its protagonist Arnold Schön...

Although Dvorak's stay in America (1892-95) was very successful, the composer suffered a good deal from homesickness. He had begun the string quartet in A flat major in New York, but continued with it...

Composed in autumn of 1881, Opus 61 is the last of Dvořák's 'middle' quartets by chronology for which Beethoven and Schubert served as the most significant models. Beethoven's influence, from thematic...

Los seis cuartetos de cuerda de Béla Bartók, compuestos entre 1908 y 1940, son hitos del género en el siglo XX. Su Primer Cuarteto de Cuerda está estrechamente vinculado a su desdichado amor por la vi...

El Segundo Cuarteto de cuerda de Bartók fue compuesto -con varias interrupciones largas- entre 1915 y 1918, después de que hubiera pasado varios años dedicado casi exclusivamente a recopilar música fo...

El Cuarteto de cuerda nº 3 es el más breve de los seis cuartetos de Béla Bartók, y también fue compuesto en un tiempo extraordinariamente corto. Escribió la partitura en septiembre de 1927, y en dicie...

Incluso antes de que su Cuarteto de cuerda nº 3 apareciera impreso en 1929, Bartók ya estaba trabajando en un cuarto en el verano de 1928. Esta obra de cinco movimientos está dispuesta simétricamente...

El más largo y a la vez complejo de los seis cuartetos de cuerda de Bartók fue compuesto en el verano de 1934 como un encargo bien remunerado para la renombrada Fundación Elisabeth Sprague Coolidge de...