Parituras para conjuntos

Muffat, pupil of Lully and Corelli, composed his concerto 'Victoria Maesta' ('Sad Victory') in 1689 as organist and chamber musician in the court of the archbishop of Salzburg. The title refers to the...

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...

Streichorchester; Bläser ad lib. und B.c.; Cembalo (Klavier), Violoncello (Viola da gamba) ad lib.

Stimmensatz - 5 Violinen I, 5 Violinen II, 3 Violinen III/Viola, 3 Violen, 5 Violoncelli/Kontrabässe - Streichorchester; Bläser ad lib. und B.c.; Cembalo (Klavier), Violoncello (Viola da gamba) ad lib...

Stimmensatz - Oboe I/II, Horn I/II, 4 Violinen I/II, 2 Violen, 4 Violoncelli/Kontrabässe - Kammerorchester

Streicher-Ergänzungssatz

Stimmensatz - 5 Violinen I, 5 Violinen II, 5 Violoncelli/Kontrabässe

As to melody, harmony, string setting and particularly the treatment of the miniature form, the work of the sixteen-year-old Schubert shows all characteristics of the later master. It can be performed...

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This w...

Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This w...

Stimmensatz - Horn I, Horn II, 4 Violinen I, 4 Violinen II, 2 Violen, 4 Violoncelli/Kontrabässe

With this lively suite, the Hungarian music -teacher and pupil of Kodaly created a very in-s-tructive piece. Since all parts have independ-ent melodic tasks and are very often opposed to each other on...

Stimmensatz - 4 Violinen I; 4 Violinen II; 4 Violinen III; 3 Violoncelli; 2 Kontrabässe - Streichorchester

This edition was arranged for today's music-mak-ing practice allowing the instrumental enlargement by adding various wind instruments to the simple string scoring.

It is elegance and brilliance that characterise this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy.

It is elegance and brilliance that characterise this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy.

Ein dreisätziges Werk von einfachem Satzbau und klarer musikalischer Gestik. Als Anfangskonzert für das Studium der Sololiteratur geeignet, außerdem ein ansprechendes Repertoirewerk für Kammerorcheste...

Partitur = Cembalo - 3 Violinen, Streichorchester und Basso continuo