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From John La Barbera's latest big band recording, here is the title cut - a masterful arrangement of this little-known Ellington gem. The tempo is moderate in an African/Latin vein and features a weal...

This Mark Taylor original is written in a moderate samba style and starts with a quartet of alto, tenor, trumpet and trombone at the top. Also featured are ensemble riffs trading with solo drum fills....

Written in a Latin style, this moderately paced chart includes a creative harmonic structure in minor and a flowing melody with counterlines. Nicely scored for the entire ensemble, this will make even...

After an initial explosion of brass, the rhythm section settles into a Rumba Flamenco groove and the chart really starts to cook. The saxes get a workout on this one supported by hot brass lines. Incl...

Supplementing the Essential Elements Jazz Ensemble Method, this extremely playable Latin number evokes the sea and the beach. It has interesting harmonies, appealing rhythms, and features a very appro...

Arranged here in a unique samba setting, Michael Mossman provides some surprising twists and turns in this familiar Latin classic by Antonio Carlos Jobim. Every section gets into the act, along with a...

This wonderful standard from the '30s receives a fresh and inviting treatment in the hands of John Berry. Featuring a medium swing style that alternates with sections of Latin, creative harmonies, and...

What a neat idea to turn this Henry Mancini classic into a medium samba groove! Your lead trombonist receives some well-deserved feature time and is joined briefly by the entire bone section. The ense...

It's not very often that you see the name Mozart appears on a jazz chart! Mark Taylor cranks up the creative juices as he features a light samba groove on a familiar classical theme. Slipping into a s...

Jerome Kern's classic ballad in an attractive setting for little big band arranged here as a cha-cha.

The definitive recording of this jazz classic is by Bill Evans, with other notable recordings by Cannonball Adderley and Joe Henderson. Paul Murtha's arrangement for young groups features a Latin styl...

Composed in a light Bossa style, this is a great sounding feature for flugelhorn. Utilizing a wealth of orchestration colors in the accompaniment and a comfortable medium tempo, this is a terrific cho...

The trumpet section gets the spotlight for much of this Kenny Dorham standard, but there are still lots of interesting parts for all sections in this new arrangement by Michael Mossman. Written in a L...

John La Barbera has taken his well-known version of Chick Corea's Spain and done a great job of adapting it for the small band format. Certainly an exciting offering for mature players in an arrangeme...

This sophisticated and highly infectious mambo is written in a moderate tempo and features solo space for trumpet and alto sax (flute part optional). Originally composed for the Mario Bauza Orchestra,...

This is NOT the '60s pop hit recorded by Bobby Vee, but the classic jazz standard recorded by luminaries such as John Coltrane, Paul Desmond, and Horace Silver (and originally the theme song of the 19...

Recorded by the Cannonball Adderley Quintet in the 1960s, this distinctive samba was composed by Cannonball's brother Nat. Featuring a relaxed Latin groove and the familiar riff-like melodies, Mark's...

Recorded by Chick Corea in the early 1970s, Señor Mouse is a sophisticated samba that exemplifies Corea as a skilled and visionary composer. Mike Tomaro's sizzling chart for mature bands maintains an...

In the able hands of master arranger Michael Philip Mossman, this popular standard from the 1930s takes on new life. Using a mix of cha-cha and mambo styles, this marvelous arrangement becomes a solo...

Mike Tomaro uses tight harmonies and a smooth Bossa Nova style to revisit this timeless standard. A perfect fit for the 6-horn format, and a nice change of pace for programming.

Written in a dynamic, fast, mambo style, saxes do most of the heavy lifting in this original from Michael Mossman, supported by punches and answers in the brass. With stunning harmonic treatments and...

Michael Mossman uses a moderately fast Afro-Cuban style to craft this setting of Duke Ellington's lesser-known work. This striking and fresh-sounding chart features tight harmonies and a driving rhyth...

True to its title, this really is a 'new' sounding bossa nova with creative harmonies, textures, and surprises. Michael takes the melody through various sections, along with solos for trumpet and alto...

Written by Stevie Wonder and recorded by Michael Jackson on his 1979 album Off the Wall, this familiar hit is treated here in a creative version for jazz ensemble. Incorporating the jazz-influenced ha...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...