Parituras para conjuntos

Reminiscent of a patriotic Kenton arrangement, this chart is great to use for your spring concert. Also ideal to change the pace of your standard jazz repertoire. Great sounds!

Recupera el sonido de Maynard Ferguson con este rápido jazz/rock original de Pendowski. Mike ha proporcionado una parte de trompeta adicional opcional para presentar a un solista invitado o para usar...

What a terrific way to teach the laid back ballad style of Neal Hefti's 'Li'l Darlin'!' The rhythm section has a brief soli section in the Shearing style, and you are encouraged to add vibe, if you ha...

Bob Curnow has arranged one of Shorty Rogers' hippest tunes. The melody is stated by Alto and Trumpet, and the whole chart has that wonderful 'West Coast' Feel to it. There is a neat section which fea...

2 Flh, 1 Pos, 3 Sax (ATB) + Rhythm

2 Flh, 1 Pos, 3 Sax (ATB) + Rhythm

Big Band (5/3/3/4) Williams wrote Camel Hop and Roll 'Em for Benny Goodman while she was still with Andy Kirk's band, and in late 1946, Williams started writing for him again. At the time, he had his...

Movement VI (of 7) of the Cuban Fire Suite. From Richards' magnificent suite written in 1956. Fire is probably the best way to describe this piece. A fantastic, dramatic opening (used for years by mar...

Movement IV (of 7) of the Cuban Fire Suite. Finally ... the definitive version of this magnificent music. The fourth of seven movements published by Sierra Music. The original score of Richards' was t...

Richards wrote this piece some years after writing the Cuban Fire Suite, but it is written very much in that vein (although it is much easier to play). It is a dynamic, energetic 6/8 Latin excursion w...

Recorded on the Back To Balboa LP by the Stan Kenton Orchestra, this is a typical Richards chart in that it contains exciting ensemble blowing and lots of solo space for trombone, tenor sax, trumpet a...