Parituras para conjuntos

August Louis Baeyens received his musical training at the Royal Flemish Music Conservatory in Antwerp, studying solfège, viola, and harmony. As a composer, Baeyens developed chiefly through the study...

Paul Schoenfeld (formerly Schoenfield) was commissioned to write this Sonatina for Flute, Clarinet and Piano by the Minnesota Commissioning Club in 1994. Each of the three movements features a differe...

Paul Schoenfeld (formerly Schoenfield) was commissioned to write this Sonatina for Flute, Clarinet and Piano by the Minnesota Commissioning Club in 1994. Each of the three movements features a differe...

Paul Schoenfeld (formerly Schoenfield) composed the Three Bagatelles for Flute, Cello and Piano in 2006. It was co-commissioned by both the Mallarmé Chamber Players and Keowee Chamber Music. This prod...

Paul Schoenfeld's Camp Songs was commissioned by Music of Remembrance (Seattle, Washington) and received its premiere performance in April 2002. It was selected as a a finalist for the 2003 Pulitzer P...

Paul Schoenfeld (formerly Schoenfield) composed the Trio for Clarinet, Violin and Piano in 1990. Clarinestist David Shifrin first invited Schoenfeld to compose a trio for this combination of instrumen...

Paul Schoenfeld (formerly Schoenfield) composed Sparks of Glory for Violin, Clarinet, Cello, Piano and Narrator in 1995 for the Sea Cliff Chamber Players. It was commissioned by the Tilles family, who...

Paul Schoenfeld (formerly Schoenfield) composed Sparks of Glory for Violin, Clarinet, Cello, Piano and Narrator in 1995 for the Sea Cliff Chamber Players. It was commissioned by the Tilles family, who...

This composition was written at the request of the professor of the Saint Petersburg's Conservatory A.V. Kazakov in 2004. In the concert (Allegro-Adagio-Allegro) there is no independent virtuosity of...

According to ancient tradition, Atlantis was a large island in the Western Ocean, i.e., the ocean to the west of the known world, near the Pillars of Hercules. It is said that the island was engulfed...

The Yellow Saxophone and Other Colors is a five-movement work for soprano voice, alto saxophone and piano. It was commissioned in 2001 by the Kentucky Music Teachers Association and features music by...

Delightful small songs, echoing rare moments and places where the voices of birds have been clear. Scored for piccolo(s) and percussion, with optional additional parts included.

The idea of Rituals came about in 2007, when Dr. Angela Rowland, a founding member of the Macau Chamber Orchestra in Macau, proposed an idea to write a piece for piccolo and percussion inspired by the...

Sattoh (Wind-dancing) is an extremely intense musical depiction of actual Kabuki theatre music, which is a traditional style that has been played in Japan for generations. Nagasawa's intention was to...

Originally for two oboes and English horn, this charming work is a great piece which can be played by winds or strings in a variety of combinations. Instrumentation: Part 1 - Flute; Part 2 - Violin (o...

Cambini is credited with 'inventing' the woodwind quintet (fl/ob/clar/horn/bsn). In his turbulent life, he composed a large number of chamber works as well as symphonies, concerti, and operas. This ed...

From 'Sonatinas for Piano,' these pieces are light and lyrical in the late classical style. A welcome addition to the trio repertoire. Instrumentation: Part 1 - Flute; Part 2 - Violin (or Flute/Oboe);...

Contrary to the common 18th-century practice of writing 'all-purpose' duets for any combination of treble instruments, these six sonatas represent authentic works written specifically for these instru...

A welcome addition to the flute/violin/viola repertoire. These are truly 'concertante' trios; all three parts are quite independent, each one bearing its share of solo and supporting roles.

Originally for piano, this edition follows the common practice of the late 18th and early 19th-centuries of producing transcriptions for multiple combinations of instruments. The editor has attempted...

for Flute and Viola. Originally for flute and violin, this edition, with the violin line transcribed to alto clef, is a welcome addition to the flute and viola repertoire.

From Tafelmusik II, this Quartet incorporates four movements: Andante, Vivace, Largo, Allegro. With variable instrumentation, it is a wonderful addition to the chamber music repertoire.