Parituras para conjuntos

Winter: My Secret is a setting for soprano, recorder, cello, and harpsichord of a poem by Christina Rossetti. It was commissioned by the Ida Carroll Trust for a concert to mark the 80th birthday of Ho...

This setting of three stanzas from 'For the Fallen' is poignant and atmospheric. A serene refrain for unison voices is interposed between evocatively turbulent passages for SATB choir. The accompanime...

Field Notes is a compact, one-movement piece of chamber music scored for oboe, violin, viola, and cello. The work is full of harmonic interest with chromatic and melodic passages shared equally betwee...

Jackson employs his signature harmonies and descriptive working of the text within an expansive polyphony to create a large-scale expressive anthem to the Blessed Virgin Mary.

This setting of texts from Cymbeline and The Merchant of Venice, and Sonnet 98, is characterised by inventive textures and vibrant word-setting. The harmonic language is mostly diatonic but never plai...

Erkoreka sets a sixteenth-century poem which contemplates the eternal and boundless beauty of the heavens, and mankind's earthy estrangement from this realm. Serene sections contrast with surging dyma...

An uplifting and joyful concert setting of four texts exploring man's relationship with the earth. Brimming with energy, the work has a wonderful freshness and vitality. Chilcott selects a range of ev...

Sharing its scoring with Ravel's Introduction and Allegro, this work makes full use of the wealth of instrumental combinations available within the septet. The haunting yet quirky theme around which t...

A familiar Christmas carol which is set to the tune of Greensleeves. The first two verses feature the sopranos with the lyrics, opening out to all voices for the final verse. Offprinted from the colle...

Set of parts for John Rutter's joyful carol, Rejoice and be merry!

This work for clarinet and string quartet is in three movements: a subdued prelude, an airy interlude, and a bluesy postlude.

The Moon is Flashing was originally scored for tenor solo and full orchestra, but has here been rescored for chamber ensemble, broadening its reach to smaller ensembles.

The Moon is Flashing was originally scored for tenor solo and full orchestra, but has here been rescored for chamber ensemble.This set of parts contains parts for clarinet, violin, cello, and piano. T...

Full score and parts for the brass ensemble version of Terry Price's rousing arrangement of Rimsky-Korsakov's 'Glory' (Slava, Op.21). For performances with brass, the organ part included in this set s...

Chilcott sets this beautiful text by Charles Bennett in a lush style. The Pear Tree Carol is a contemplative celebration of new life and nature. It would be equally suited to a winter concert or Chris...

With words by the composer, this mesmerising piece comes from the large-scale work, Snow Angel, and celebrates the coming of winter and the everlasting nature of music. Includes an optional cello part...

Composed for the spnm 'Composing for Kids' initiative, the work consists of settings of poems by pupils from two of the participating schools. The poems are varied in mood and thematic material, yet s...

For flute, clarinet, violin, and cello - This technically demanding chamber work is a response to the work of one of Spain's leading architects, Alberto Campo-Baeza, where symmetries and reflections a...

For clarinet (and bass clarinet), and cello. Towards the end of his life the Spanish painter Goya completed a series of works now known as 'The Black Paintings'. 'Saturno' is the most horrifying of th...

For soprano saxophone (or oboe) and percussion (1 player). Kulamen Dilan is evocative of Khurdish love songs, exploring the 'methodology' of folk music, creating a mosaic from tiny motifs of pitch and...

For up to four musicians with (optional) assistant and pre-recorded tape(s). Recent Britain confronts several of the preoccupations of the media in Britain in the late 1990s: immigration, paedophilia...

WAM is an investigation of Mozart - it uses hundreds of slightly altered fragments of, or parodies of, his music - and, instead of assembling them as he might if he were composing, allows them to floa...

Molly-House contains two parallel streams of music. One consists of pages, some in conventional notation, others intentionally lacking determinacy with respect to durations and pitch. The other consis...

For hardanger fiddle, either solo or accompanied by reed-organ and/or piano (live or pre-recorded) and instrumental quartet. The piece is a 'cut-up' of passages quoted from, or composed in imitation o...

Garland demonstrates the composer's typically thoughtful approach to form and melodic material, the title of this work reflecting the circularity of both.