Parituras para conjuntos

2 Ob, 2 Vl, Va, Bc

Le dolcezze e l'amerezze della notte - 2 Ob, 2 Vl, Bc

Vl picc, Fg conc, Vl, 2 Va, Bc

2 Ctr, Timp, 2 Ob, 2 Vl, Bc

1999. For Soprano, Bass recorder and Guitar.

All That We Cannot Say (2001) for Oboe and Cello (with two assistants).

Inapparent Air And Aviary for small Ensemble was composed by Juliana Hodkisnon in 2004. Written for Enemsble Reconsil, Vienna.

Prompt, Immediate, Now / Very Restrained And Cautious for Clarinet, Percussion, Viola, Cello and Audio Samples by Juliana Hodkinson was composed in 2013.

Parts for Prompt, Immediate, Now / Very Restrained And Cautious by Juliana Hodkinson, for Clarinet, Percussion, Viola, Cello and Audio Samples.

Angel View by Juliana Hodkinson, scored for seven or more performers and electronics. 'Angel View is an assemblage of urban and musical debris, somewhere between a wordless live radio play, enacted fi...

The Coastline Piece III: West by Juliana Hodkinson, for amplified Ensemble and sound files for stereo playback

Turbulence - or, 'the underlying forces usually hidden'- an Opera in three scenes by Juliana Hodkinson (2013). Libretto by Cynthia Troup. For soprano voice with electronic pocket piano* and groovebox*...

Tango Doble ist eine Wortschöpfung und bedeutet übertragen Doppeltango. Der Tango Doble versucht, verschiedene Tangostile miteinander zu verknüpfen - den Salontango und den konzertanten Tango Nuevo.

A rigorously static work. The sonata, the dry gongs and desert glare of its percussion encircling the lonely human agony of the viola, exists in a climate in which emotion is all the fiercer for being...

Peter Sculthorpe's The Song of Tailitnama borrows from a culture - that of the Australian Aboriginal. . . and does so with a reverence and sense of wonder. Roger Covell, The Sydney Morning Herald, 1 J...

Instrumentation: perc(2): tam-t/water gong/ch.cym/crot/ch.bell tree/bongos/timb/music sticks/guiro/wood chimes/sand block

Instrumentation: flamenco gtr.3 acoustic gtr.4 elec gtr.bgtr - string quartet

Tras sus primeras lecciones musicales con Johann Drechsel y Gabriel Schütz en su ciudad natal de Núremberg, Johann Philipp Krieger continuó sus estudios musicales con el organista de cámara real danés...